#Liquid Ink/#Liquid Ink for Kanji Works/#Glue-Based/#Thick Ink/#Made in Japan Ink/#-2000ml/#School Materials for Middle School Calligraphy Clubs/#School Materials for High School Calligraphy Clubs A bulk discount is available for purchases of 6 or more items. Once you see it, you'll understand! Even though it's liquid ink, it achieves expressive power that rivals solid ink! The difference is clear: "Rin" displays more beautiful iridescence than synthetic resin-based ink. Ink that is polished over time has an indescribable depth. The liquid ink "Rin" can express beautiful iridescence that rivals solid ink and is more appealing than synthetic resin-based ink. Comparison of the bleeding of solid ink, liquid ink "Rin," and synthetic resin-based ink Solid ink "Bansei" light ink / Paper used: "Shinroku" The bleeding unique to solid ink Solid ink, which breaks down into fine particles when ground, produces a beautiful iridescence. Liquid Ink "Rin" 32x Dilution / Used on "Shinroku" Paper "Rin": Expressive Power Approaching Solid Ink Made with lamp black ink and natural glue, "Rin" has good ink flow and produces beautiful iridescence. Synthetic resin ink, diluted 32 times / Paper used: "Shinshika" No bleeding effect With typical synthetic resin ink, Even with "Shinroku" paper, which has uniform fibers and low resistance, beautiful bleed cannot be achieved. Bleeding varies depending on the paper Even advanced calligraphers who are particular about their paper will appreciate it Bleeding also varies depending on the paper. The way the ink spreads depends on the paper's absorbency when absorbing moisture. Generally, handmade paper bleeds in various ways depending on the raw materials, while machine-made paper tends to be less prone to bleed. From the many types of paper available, let's take a look at the differences in bleed using some of the representative papers recommended by Shoyu. Comparison of bleeding on representative handmade and machine-made papers This compares the bleeding of the ink "Rin" on each representative paper. Whether handmade or machine-made, bleeding is fully expressed all the way to the edges. Suitable for works Red Star Pai (handmade) Above: Light ink (32 times diluted) The high-resolution Hong Xing Pai paper has uniform fibers and low resistance, allowing the ink to flow easily and producing beautiful iridescence. Below: Iridescence of the undiluted ink It blends well with the ink and penetrates deep into the paper, creating a deep black. It also has excellent color development, giving it a lifelike feel. Suitable for artwork Sacred Deer (Handmade) Above: Light Ink (32x diluted) Shoyu confidently recommends Shinroku. Its uniform fibers and low resistance allow the ink to flow easily, resulting in beautiful shading. Below: Shading of the undiluted ink It blends well with the ink and penetrates deep into the paper, creating a deep black. Its excellent color development also creates a lifelike texture. Suitable for artwork Kouen (Handmade) Above: Light Ink (32x diluted) A distinctive feature of Kouen is that it exhibits minimal bleeding due to the inherent characteristics of the paper's fibers. When light ink is dropped onto the paper, the ink runs in a radial pattern, and the ink does not bleed very cleanly, so it tends not to be suitable for light ink. Below: Undiluted ink bleed When using undiluted ink, bleeding is less likely to occur even when the brush is stopped, making this paper very easy to write on. Suitable for practice Student Hakuhou (machine-made) Above: Light ink (diluted 32 times) Student Hakuhou, often used for student practice, is characterized by its minimal iridescence. When you drop light ink onto this paper, the ink runs in a radial pattern, resulting in less clear bleeding, making it unsuitable for light ink. Below: Undiluted ink bleeding Compared to Kouen, it's less able to produce a rich black color and some bleeding occurs, but it's a very comfortable paper for practice. "Rin" is expressive and suitable for beginners and advanced artists alike. You can immerse yourself in "creating art" or "practice" without losing the feel of solid ink. Recommended Point 1 Choose your density and size The ability to choose your density makes it versatile. We offer two different strengths. You can use the "thick ink" undiluted or dilute it to your desired strength. You can use the "regular strength" ink as is, or you can dilute it. If the strength is not enough, you can rub in solid ink to achieve your desired strength and color. Recommended Point 2 Using natural glue for expressions approaching solid ink Solid ink can also be rubbed in Because it uses natural glue, the brush glides smoothly and smoothly when writing, allowing you to enjoy the same writing feel as solid ink. Because it is made with natural glue, it is also possible to rub in solid ink. However, in this case, it is important to mix it thoroughly. Please try it out and experience the writing feel and finish that cannot be found with liquid ink made from synthetic resin. We are sure you will appreciate its quality. Recommended Point 3 Can be used for everything from creative writing to practice Can be used for a wide range of characters, from kanji to kana The ink "Rin" is a combination of lamp black ink and natural glue. It is a versatile ink that can be used for practice as well as creative writing. Recommended Point 4 Low Price, High Quality Quality Recognized by Professionals Since its release, "Rin" has been loved by many people. Its quality is recognized by professionals, making it a popular product we confidently recommend. Using a lot of ink can be costly. Being able to purchase high-quality ink at a reasonable price is one of its attractions. It's perfect for practice, where you want to use it a lot, or for your own artwork.
