A 1970s romantic landscape print where a figure in rust-red trunks stands at a pool's edge, framed by cypress spires and hazy blue hills. Midday stillness holds the frame — no ripple on the water, no wind in the trees. The tiled terrace glows a chalky terracotta under the overhead sun, and a single green hedge cuts a clean diagonal into the distance. A low white pool wall holds the bottom edge of the frame, cool and geometric against the warm hills. The most poised piece in the 1970 romanticized views series. The series remembers the Mediterranean in flat, saturated colour — rust, cypress green, pool turquoise, a chalky terracotta ground. The studio composes in the grammar of a Wim Wenders road-movie frame, where landscape behaves as patient geometry and figures turn away from the camera. Colour fields stack horizontally the way travel-poster skies once did, and the figure reads as a vertical accent inside that stillness. Where other pieces in the series push wider, this one tightens to one man, one pool, one view held across the hills. A fine art print sealed beneath crystal-clear acrylic, bonded to an aluminum composite backing. The flat painted colour gains a liquid depth through the glossy face, the turquoise of the pool sharpening by a single stop. Six sizes, from Small 30×20 cm to Grand Edition 210×140 cm. Floating aluminum mount included — ready to hang on nails or nylon strings. Open edition from our Berlin-Mitte studio. Printed in Europe, shipped across the EU. A piece for rooms that want summer to last past the calendar.
