Dead Fader is the alter ego of John Cohen - former Brighton resident, now based in Berlin - who has worked relentlessly since 2007 to realize his vision of electronic music. His tracks are characterized by pioneering sound explorations, which on one hand oscillate between sonic extremities and on the other hand carefully craft cinemascope sound worlds. Glass Underworld became a very personal exploration for Cohen; the themes investigate emotional states, and the writing process was predominantly influenced by falling in love while making the album. Furthermore, the 2014 film Interstellar visually influenced the album, mapped as an image for Cohen's tracks to exist in. I have watched his talent, his confidence in his ability and his output just grow and grow beyond what most humans are capable of imagining, never mind making. I think that comes from a place of wonder and exploration, a place where emotion, energy and experience are important; the long and narrow, the deaf arena, the blood forest and the glass cathedrals. Dead Fader rips you backwards through the portal as existence explodes around you, but you don't perish in the fire. It's just a ride. - Barry Prendergast, former partner in Dead Fader Boom Town, Glass Cathedral, Mud Underworld, Nine Strokes, Penchant, Not One, Thunderstorm, Too Busy
