A sixties memoir and an intriguing slice of avant garde film history.Part record of the New York underground art scene, part history of contemporary American avant-garde cinema—Gordon Ball’s vivid memoir lays bare the soul of a decade that redefined the photographic image.Featured within ’66 Frames are encounters with Timothy Leary, Allen Ginsberg, and many others as—in the words of poet Lawrence Ferlinghetti—“the young Southern innocent sets forth in all his whiteness to find himself among visionary New York poets and other flaming creatures.” Here are nights on Washington Square park benches and a week in the fabled Dakota. Here’s everyday life with film pioneer Jonas Mekas in his Third Avenue loft, at his Filmmakers’ Cinematheque and Filmmakers’ Cooperative; visits with Andy Warhol at his Factory; anti-war marches; tension and violence between flower children and long-time residents of what would become known as SoHo; everyday New York City scenes a generation ago, from St. Mark’s Place with its Gem Spa and East Side Bookstore, to the Central Park Be-In of Easter 1967. From the staccato camera movement of Warhol’s The Chelsea Girls to the hypnotic close-ups of Ball’s own Georgia, this author takes his readers on a tour of an era that stretched visual imagery outside the box, beyond the frame. ’66 Frames simmers with the sixties’ sense of possibility, even as it delves the wreck of the drug-culture and sexual-liberation movement with a post-Reagan generation in tow.
