Author: Judith Goldman Publisher: O Books (2006) The writings in Judith Goldman’s DeathStar/rico-chet are constructions engaging present events—catastrophes—the origin of which is being defined, in the sense of framed, by the term “tragedy” in current media. Goldman’s writings are enactments, not of the events themselves, nor are they descriptions of the events: They are enactments making a present in the speaking (as of Shakespearean, of current media, and of Goldman)—and enactments as thinking reframing being present. Thinking is her constructs, as such experiments. She’s made brilliant juxtapositions that may be exactly the same as the languages they were (or not), and that as such don’t either iterate or describe events. Rather than trapped in this current time’s enclosure, the reader is alert in Goldman’s passionate bombardment. This book is dedicated to those on all sides imprisoned, wounded, and/or killed in the course of 9/11, America’s war on terrorism, its war on Afghanistan, and its second Iraq war.
