Gamechanger | Audio [WEB-Limited Stock Clearance Sale] AUTO CHORUS (Game Changer Audio) Chorus

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[WEB Exclusive Inventory Clearance Sale] Please note that clearance items may include store display models, slightly damaged items, or items with damaged packaging. ■AUTO CHORUS - The AUTO series fuses classic pedal design with the world of modular synthesis. The AUTO series, which fuses classic pedal design with the world of modular synthesis, goes beyond the realm of evolution in audio processing. In all AUTO series, the nuances of your performance become part of the "sound effect" element. The selection of TOUCH, DYNAMICS, and NOTE influences the sound, creating tones and textures that change in real time in response to your performance. The sound design we create throughout the AUTO series will take your musical expression on a journey of discovery and wonder. Designed for artists exploring their own unique sound, the AUTO series combines intuitive simplicity with profound depth. With every turn of the knob, a new world of creative and experimental sound unfolds. Dive into the depths of creativity and discover new sounds beyond the ordinary. AUTO CHORUS offers three rich and warm modulation effects: chorus, ensemble, and flanger. CHORUS This classic, simple chorus effect mixes a delay and pitch-shifted signal into your dry sound. For a pure vibrato effect, set LEVEL KNOB MODE to MIX, turn the LEVEL knob fully clockwise, and the FEEDBACK knob fully counterclockwise. ENSEMBLE This is a richer version of Chorus. This algorithm mixes three slightly offset and pitch-shifted signals into the dry signal. This makes the internal modulation rate less noticeable than the CHORUS algorithm, even at high DEPTH settings. FLANGE This shortens the delay of the chorus effect, creating a typical jet engine-like effect. CONTROLS RATE Adjust the modulation range from 0 Hz to 819.16 Hz. Turning it completely counterclockwise stops the pedal from modulating the delay line and locks it into a static delay time controlled by the DEPTH knob. Setting RATE to 0 allows you to dial in a variety of comb filter sounds with the DEPTH knob. DEPTH Adjusts the modulation depth. The lowest setting, counterclockwise, is zero modulation depth, which applies a constant, short delay to the wet signal (CHORUS and FLANGER are delay-based effects). Even with zero modulation depth, you can use the FEEDBACK control to shape the wet sound. FEEDBACK Adjust the level. At higher settings, it introduces a metallic resonance character that depends on the selected algorithm. At the maximum setting, the effect enters an infinite feedback loop. TRACK TEMPO AND MODULATION SHAPE AUTO CHORUS employs an innovative approach to tap tempo functionality. TRACK TEMPO When both footswitches are pressed and held simultaneously, the pedal uses dynamic tracking to detect the strumming tempo and sets the RATE parameter value accordingly. MODULATION SHAPE It offers three different modulation shapes (SAW, SINE, RAMP). Find the sweet spot Each of the four main knobs has a corresponding small modulation knob (attenuverter), allowing you to adjust the amount and direction of modulation for each effect knob. This allows you to modulate the value in any direction (+/-) according to the input level. From subtle parameter changes to dramatic modulation, find your own unique nuances. You can customize the modulation using the dynamics and pitch knobs and dedicated mode switch. You can adjust the decay time of the dynamics, add glide to the pitch tracking, and shape the response to match your playing style and the modulation effect you want. By pressing both footswitches, you can set the pitch of the played note as a threshold. For example, if you set A3 as the threshold, PITCH modulation will only be active when the pitch exceeds A3. Similarly, the dynamics threshold can also be adjusted. Modulation will only occur when the input is greater than the set value. With simple operation, you can create unique modulations exactly as you envision them. Automation Basics: Each pedal features two onboard automation sources that generate automation signals based on specific parameters of the performance. Dynamics Engine: Tracks the instrument's volume, picking intensity, and overall performance dynamics. Pitch engine: Follows note selections and the overall timbre of the instrument. Using a simple patchbay interface, you can route these automation sources to four main effect knobs. Each pedal also features four corresponding small knobs (attenuators) that determine the amount and direction of the automation signal. The AUTO footswitch activates the entire automation section, allowing you to easily switch between standard effect modes and pre-routed automation settings. For shaping your automation, you can precisely calibrate both the dynamics and pitch tracking engines, indicated by the patchbay's LED lights. Furthermore, automation can be customized using the dynamics and pitch knobs, as well as dedicated switches with three different modes on either side of the automation control. This allows you to adjust the response curve to match your playing style and desired automation effect. This feature provides a wide range of touch-responsive effects that are orchestrated in real time based on the nuances of your performance. From delicate and refined settings to ambitious experimental sounds, the AUTO series is a platform that offers endless possibilities.IN/OUT - Stereo and mono compatible TS Cable (L/MONO): For mono input (TS) and mono output (TS). Single TS Input to Dual TS Output: Dry input is output to both output channels. Single TS input to stereo TRS output: Dry input is routed to both output channels. TRS Stereo Input (R/TRS): For stereo input to stereo output (TRS). Dual TS or TRS stereo inputs to mono output: Dry input is mixed to the mono output. Calibration and Input Levels Calibrating Center Pitch: Press and hold ON to set the center pitch. Dynamics Threshold Calibration: Press and play AUTO to set a midpoint value. These calibrations are saved until new values are added. Input Level Switch: Varies internal headroom to ensure optimal performance at different signal levels. Output jack follows input level. Can be set to Instrument (4Vpp max), Line (8Vpp max), or Eurorack (12.5Vpp max) level. Dynamics Mode Dynamics Threshold Calibration: Press and play to set the midpoint. FAST mode: Follows the attack of the input signal as soon as it crosses the dynamics threshold. This mode is useful for automation that directly follows the dynamics of a performance. SLOW mode: Gradually follows the dynamics of the performance. This is useful for gradually changing parameter values even when the dynamics of the performance change rapidly. GATE mode: No control signal is output when the input signal is below the dynamics threshold, and maximum control signal is output when the input signal exceeds the threshold. This mode is useful for instantly changing effect parameters without attack or decay times. Pitch Mode Center Pitch Calibration: Press and hold ON to set the center pitch. NOTE Mode: Dials in a control voltage that responds only to a specific note range. With the PITCH knob in the center position, a center-pitch note generates full-strength control voltage, and all other notes generate zero control voltage. V/OCT mode: Depending on the note selection, when you play a note above the center pitch, the automation output generates a positive control voltage. The higher the note, the stronger the control voltage. When you play a center pitch note, the automation output is 0 volts, meaning no automation occurs. TONE mode: Unlike V/OCT and NOTE modes, this mode analyzes the entire frequency spectrum and, instead of detecting exact pitch, detects the overall tone of the input signal and outputs control voltages accordingly. This mode is useful for creating automation based on general pitch ranges and the overall color of the tone. It can detect differences between the neck and bridge pickups on a guitar, or the position of the tone knob. Automation Mode AUTO Footswitch: Activates the entire automation section. PARAMETER AUTOMATION knob: Determines the direction and strength of routed automation. Also acts as an attenuator, allowing fine control over pitch, dynamics, and parameter behavior. SUM mode: The control voltage generated by the automation output is added to the parameter value. The small PARAMETER AUTOMATION knob determines the direction and amount that the control voltage is added to the parameter value. ALT MODE: Changes the function of the small PARAMETER AUTOMATION knob to an alternate parameter value. When the AUTO footswitch is engaged, the small PARAMETER AUTOMATION knob replaces the main parameter knob. EXT MODE: Route an external control voltage signal to automate PARAMETERS and modify them with external modulation signals: DYNAMICS and PITCH. Effect Level IN WET MIX IN mode: The LEVEL knob determines the volume of the signal sent to the effect. The dry signal is always at full volume. WET mode: As in IN mode, the LEVEL knob determines the volume of the signal sent to the effect, but the dry sound is removed from the mix. MIX MODE: The LEVEL knob determines the mix of dry and wet signals: counterclockwise is dry only, center is equal dry and wet signals, clockwise is wet only. AUTO SPLITTER AND TRACKING AUTO SPLITTER: Can be placed at any point in the signal chain to provide a tracking input signal. TRACK IN: Route a clean guitar or other instrument signal for DYNAMICS and PITCH analysis. Effects are applied to the main AUDIO INPUT signal only. TRACK IN is a 3.5mm (1/8'') TRS socket - Track signal insert (L/R) TRACK OUT: Passes the TRACK IN signal through for routing to another AUTO Series pedal or elsewhere. TRACK OUT is a 3.5mm (1/8'') TRS L/R output or track signal buffer output. When TRACK IN is not in use: TRACK OUT outputs the dry mono or stereo AUDIO INPUT. TRACK IN can also be used when nothing is connected to the main AUDIO INPUTS. This is useful for integrating AUTO Series pedals into a Eurorack synthesizer setup without adapter cables. CV, MIDI, power, USB-C Powered by a standard 9V center negative power supply (250mA) or USB-C (5V 1A). Eurorack Compatible: CV In: -5 to +5 V. CV Dynamic Out: 0 to +5 V. CV Pitch Out Note Mode: 0~+5V. CV Pitch Out Tone Mode: -6~+6V. CV V/Oct Out Mode: -6 to +6 V. MIDI/CLK IN: 3.5mm (1/8'') MIDI B-Type or TS trigger input. USB-C: Supports MIDI protocol 1.0 and allows for future firmware updates. Digital Audio: ADC/DAC is 24-bit/32-bit, 44.1kHz sample rate Show more