Fine condition.Victor Gollancz,2000.First UK edition-first impression.Yellow hardback(blue lettering to the spine,two small nicks on the edges of the cover) in fine condition, with Dj(a couple of small nicks,creases and scratch on the edges of the Dj cover) in near fine condition.Illustrated with a b/w map.Nice and clean pages as new with a small nick and light shelf wear on the outer edges,small nick and ink mark on the edges of the pages.Nice and clean book.540pp.Price un-clipped.A collectable first edition.Heavy book. This is another paragraph From Publishers Weekly: Sequel to Soul of the Fire in Goodkind's popular Sword of Truth series, this extended barrage of sword-swinging fantasy pits the New World's Seeker of Truth, Richard Rahl, and his wife, Mother Confessor Kahlen Amnell, against the lethal totalitarian forces of the Imperial Order under Jangang the Just and his gorgeous masochistic minion Nicci, aka Death's Mistress, a dreaded Sister of the Dark. After Richard helps a desperately wounded Kahlen heal in a mountain hideaway guarded by their ill-tempered blonde bombshell bodyguard, Cara, Nicci ensorcels Kahlen and forces Richard to abandon her for inhuman bondage in the Order-dominated Old World. Kahlen defies Richard's prophecy that arms alone will never defeat the Order. She takes command of the D'Haran army, hopelessly outnumbered against Jagang's black-magicked hordes who are invading the New World. Untangling all this gives Goodkind an ample canvas for enough disemboweling, spit roasting and miscellaneous mutilating of men, women and children to out-Sade the infamous marquis. His fansAand they are legionAwill revel in vicarious berserker battle scenes and agonize deliciously as Richard, reduced to slavery by Nicci, toils to establish a bastion of capitalism in the cold gray heart of the Stalinesque Old World. All the ponderous sound and fury of Goodkind's attack on socialist-style do-gooders who are destroying the world, however, founders in a welter of improbable coincidences, heavy-handed humor and a disconcerting dependence on misusing the verb smirk.
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