Gwen John (1876 1939), best known for her portraits of women depicted in close tonal registers, was overshadowed during her life by her relationships with men, including her brother, the painter Augustus John, and lover, the French sculptor Auguste Rodin. In recent years, leading art historians and curators have shed new light on John’s significant contributions to British art, her connection to European modernism, and her serial process. Gwen John: Strange Beauties builds on this groundwork, bringing together the artist’s distinctive oil paintings with rarely seen works on paper to illuminate the under examined scope of her ambition, revealing lesser known aspects of her practice a vibrant use of colour, plein air sketching and an interplay between figuration and abstraction. Essays by Helena Anderson, Rebecca Birrell, Lauren Elkin, Cecily Langdale, Fiona McLees, Anna Gruetzner Robins, and Orin Zahra.
