The monograph is introduced by an extensive study titled 'Theater and Text as the Intersection of Fuzzy Sets,' which outlines the broad semantic field of the relationship between literary and theatrical communication in a very complex manner. The book is further divided into six thematic sections: 1. Theory of Contemporary Drama/Theatrical Text; 2. Poetics – Dramatic and Directorial; 3. Period Phenomena – Publishing and Reception of Works; 4. Intertextual Relationships – in Opera Libretto and Dramatizations of Literary Texts; 5. Dramatic Authors; 6. Performers and Songwriters. The structure of the entire book covers the multidimensional phenomenon of the relationship between text and theater on several levels, with the introductory sections presenting its nature primarily in a general, theoretical dimension, while the concluding sections of the book demonstrate this relationship on one historically unique phenomenon.
