Limited edition of 1000 copies.Produced by La MJC. Printed in France. Hard cover, 192 pages.The cover is produced using quadri offset printing, finished with an acrylic glossy varnish and protected by an anti-scratch lamination. A silkscreen spot glossy varnish is applied on top, adding depth and contrast through a precise play of shine and texture.ALL GONE 2025 is crowned by two original covers conceived by the one and only FUTURA 2000. A true living legend, he has spent decades forging a radical visual language that reshaped street culture and left an indelible mark across generations. Both as an artist and as a figure, FUTURA continues to stand apart—his vision as sharp, restless, and influential as ever. For this new edition, FUTURA’s iconic universe unfolds across two distinct covers: one bringing together a constellation of his characters, including the unmistakable Pointman; the other dedicated to his signature Atoms, expressed with pure energy and motion. As a final gesture, FUTURA also hand-wrote the baseline “The Finest of Street Culture 2025” in his unmistakable script, anchoring this volume in history and giving this edition of ALL GONE a singular, enduring presence. ----- ALL GONE 2025 — Culturally Inappropriate Sensitive souls, beware. 2025 was meant to be a year of hope. A reset. The beginning of a return to clearer skies. As eternal optimists, we were the first to believe in that narrative. Since 2024, however, our tone has been dictated by a reality that has undeniably shifted. Street culture has tied its morale to that of the world around it—a brutal landscape that offers little respite. After two post-pandemic years when everything seemed possible, doubt has replaced ambition. Pessimism—once banished from conversations within our industry—has quietly become the norm. Writing it, admitting it, remains difficult. But denying it would only cast us as naïve dreamers. 2025 has revealed itself as the continuation of a crisis that refuses to fade, burdening our culture with issues it had long chosen not to confront. For years, global upheaval seemed incapable of shaking our scene. Fueled by a singular energy, it moved against the current, almost immune to the surrounding gloom. But for far too long now, that momentum has been broken. Having reached the end of an expansion cycle that once appeared endless, the industry is struggling to catch its breath. Passion has collided with reason. Instinct has given way to logic. We understand the pessimists. From a macro perspective, the wall is clearly visible, as is the impact of the collision. Yet over the months spent shaping this book—searching for what street culture still has to offer at its best—a more nuanced reading emerged. Less abrupt. Less radical. One in which hope, though fragile, still exists. Yes, the numbers are down. Legendary players have taken their final bow. The sense of déjà vu is undeniable. This is the flip side of a niche culture that grew at meteorite speed, becoming—perhaps too quickly—mass culture, dominant culture, the very reference it once avoided. The culture it opposed in its early days, when it lived on the margins, when it was deemed, quite literally, “inappropriate”. Many claim it has lost its soul. In many ways, that assessment is hard to refute. Chasing efficiency, it settled into a harmful comfort that gradually eroded its foundations. More than ever, a return to the source—a true reset—has become one of the central challenges facing the future of street culture. Yet signs of hope remain. Across the globe, figures are showing resilience and creativity, rebuilding strong ties with authenticity, passion, craftsmanship, attention to detail, and rarity. We have said it before, but the reminder has become essential: the time has come to re-prioritize quality over quantity, innovation over reissues, to break free from fatigue and reconnect with the original fire—the one that burned far from general approval. History has taught us this much: it is when street culture disrupts, when it refuses the rules of the game, when it moves out of sync, that it becomes necessary again. Returning to the margins, embracing irreverence, breaking the algorithm—not as a pose, but as a conviction. At a time when everything must be optimized, validated, and monetized, becoming culturally inappropriate once again is not a risk. It is a necessity. Michael Dupouy, La MJC
