All in Blessed Privacy

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A figure occupies the edge of a nearly empty room, poised between concealment and display. The image drifts through associations with adolescence, domesticity, and the private ritu als of becoming oneself. Created in conversation with Hearth Inspection (after Plath), and Cole, All in Blessed Privacy considers the domestic interior as a psychological space rather than a literal one. The room becomes a stage for competing desires: shelter and freedom, visibility and withdrawal. The work does not settle on a single interpretation, instead tracing a constellation of references around modern femininity, privacy, and the uneasy comfort of inhabiting "a room of one's own". Show more