This 1912 poster by Émile Fabry for the XXe Salon Pour l’Art in Brussels is a refined example of early 20th-century exhibition design, blending classical figuration with the restrained elegance of Belgian Symbolism. The composition is divided into two distinct yet harmonious sections. The upper panel presents a softly rendered allegorical scene: a reclining nude female figure extends her arm toward a standing figure, while a third, more elusive form emerges in the background. Executed in warm sepia tones, the image evokes timeless themes of inspiration, creation, and artistic dialogue. The figures, sculptural and serene, recall both classical antiquity and the Symbolist interest in introspective, poetic imagery. Below, the typography takes over with clarity and authority. The large, balanced lettering—“POUR L’ART – XXe SALON 1912”—is set in a dignified serif typeface, emphasizing the institutional importance of the event. Additional details, including the dates (3 February – 3 March) and location (Musée Moderne, Bruxelles), are carefully arranged to maintain visual harmony while ensuring legibility. Fabry’s approach reflects a sensitivity to both image and text, allowing each to occupy its own space while contributing to a unified whole. The muted color palette—sepia, cream, and soft blue-grey—reinforces the poster’s understated sophistication, distinguishing it from the more flamboyant Art Nouveau posters of the previous decade. As a member of the Belgian artistic milieu, Fabry was closely associated with Symbolist circles, and this influence is evident in the contemplative mood of the upper vignette. Rather than advertising spectacle, the poster suggests intellectual and aesthetic refinement, aligning the exhibition with a more elevated vision of art. Today, this poster stands as a testament to the transition from the decorative exuberance of the late 19th century to a more structured and modern graphic language. It captures a moment when exhibition posters were not only informative but also deeply expressive of the artistic ideals they represented. Original Poster Exhibition - Art Nouveau - Belgium Modern Museum in Brussels J. E. Goossens Good condition, traces of folds
