ART PAPERS 34.03 - May/June 2010

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This summer issue explores the question: what is at stake in image making, while exploring the role of the artist as witness. Articles to note include Anthony E. Elm's assessment o f Liam Gillick's recent retrospective, where he casts the artist as witness to institutional shortcomings; Thom Vink discussing various strategies he enlists to subvert viewer expectation; and Gean Moreno's interview with Laurence A. Rickels on the role of the ghost to the artist. Notable reviews include Jennie Klein's review of Shepard Fairey's André the Giant has a Posse, Felicia Feaster's review of Olaf Hajek's Masquerade, and Dinah Ryan's review of Amy Hauft's Counter Re-formation. Show more