If you appreciate the MicroFreak but desire additional features, consider the Arturia MiniFreak. This innovative hybrid analog/digital synthesizer boasts 6-voice polyphony, digital oscillators, analog filters, effects, a performance arpeggiator, a 64-step sequencer, and a 37-note velocity-sensitive slim-key keyboard with aftertouch. It is designed to cater to musicians, sound designers, producers, and DJs of all skill levels. The MiniFreak is equipped with two digital oscillator engines that offer 22 distinct oscillator modes. It incorporates open-source code developed by Mutable Instruments, along with algorithms crafted by the renowned modular synthesizer company, Noise Engineering. With an impressive array of options and performance features, the MiniFreak is capable of producing extraordinary sounds, modes, and parameter controls. Its 64-step sequencer enables the recording of up to four automation sequences, the editing of notes on a per-step basis, and the use of innovative Spice and Dice functions to create unexpected musical outcomes. Additionally, the MiniFreak comes with a virtual plug-in, facilitating the application of the same production techniques within your preferred digital audio workstation (DAW). The package also includes a power supply and a USB cable. Two Engines, Many Voices A dynamic selection of sounds that contrast, collide, and conspire to create. Noise: Morph between particle noise, white noise, and a metallic noise that’s reminiscent of a synth cymbal. Great for gritty industrial-sounding percussion. Superwave: Saw, square, sine, or triangle waves, detuned with precision, oozing with fatness and texture that’s perfect for trance leads and dreamy pads. Harmo: Control the levels of 32 sinewaves for additive synthesis made easy, creating harmonically rich timbres that can be quickly shaped. Karplus Strings: A mode using physical modeling to recreate the vibrations and resonance of a string, from soft plucks to steel-string buzz. BasicWaves: A mode emulating two basic waveforms: square, containing only odd harmonics, and sawtooth, containing both odd and even. Two distinct, essential timbres. Audio In: Inject any audio signal into MiniFreak to process with Engine 2, the analog filters, and the FX engines. Multi Filter: No less than 14 modeled filters packed into an easy-to-use Engine mode, from a 36 dB LP filter to 3 notch filter modes. Surgeon Filter: Slice and scoop out entire frequencies with decisive precision, with LP, BP, HP, and notch modes, and a flexible Spread control. Comb Filter: Mimic real acoustic behavior using tuned feedback delay for quirky metallic sci-fi-esque resonance. Great for creating SFX or unique almost acoustic sounds. Phaser Filter: From 2 to 12 poles, dial in static phase effects on certain frequencies for creating great formant textures and unexpected harmonics. Destroy: Fold, decimate, and bitcrush the content of your sound. From razor-sharp to pixelated, static fuzz to plucky video game chirp, choose your degree of destruction. FM/RM: Combining frequency and ring modulation, create unique sonic interplay between both engines, altering waveforms, phase, and a blend of dry and ring-modulated signal. Similar to its smaller counterpart, the MiniFreak features several open-source oscillator modes derived from the renowned Eurorack brand Mutable Instruments, enhanced with additional polyphony and versatility. V.Analog: Two detuned virtual analog oscillators with continuously variable waveforms. Waveshaper: A triangular wave processed by waveshaping and wavefolding, creating squelchy, aggressive, and often metallic tones. Two Op. FM: A simple but powerful twin-operator FM oscillator, with two sine waves modulating each other’s phase to create sharp acidic tones. Formant: Shape your sound into vowel-like movements and plastic-tube resonance with 3 simple controls. Chords: A paraphonic synth engine that triggers duplicates at set intervals, creating defined, static chords with one key that can evolve over time. Speech: An engine that creates vowel, formant, and simple word sounds that are a little too close to human. Modal: Recreate the inharmonic vibrations and resonance of a hollow structure, great for adding texture, overtones, or acoustic timbres to your mix. Noise Engineering: For the intrepid and adventurous sound seeker, MiniFreak features three algorithms crafted by the renowned LA modular experts at Noise Engineering, integrating wavefolding, phase modulation, and harmonic manipulation. SawX: A simple sawtooth becomes lethal sonic sharpness. SawX sprinkles chorus and phase modulation into the mix for supersaw mayhem aplenty. Harm: Additive synthesis meets wavefolding with spectacular hard sync results. Choose dense octave overtones or blow the harmonic series wide open. Bass: A nonlinear waveshaping algorithm that deals in lows: expect heavy digital density and molten metal momentum with this bass. The Finishing Touch Augment, transform, and polish whatever combination of engines you’ve chosen with 3 stereo FX engines. Chorus, phaser, and flanger Reverb and delay Distortion and bitcrusher 3-band EQ and peak EQ Multi comp Spontaneous Sequencing Blur the lines between sequencing and arpeggiation with wild results. Arp Controls: Change single-note repetitions into chord stabs, switch octaves in seconds, and introduce totally random notes with the Mutate button for arpeggios that leave an impression. Spice & Dice: A familiar feature for Freak fans, Spice & Dice alters various parameters, including pitch, gate, and more, so you can take your hands off the wheel and savor some inspiration in the unexpected. Modulation Lanes: Lock in custom changes to your filters, envelopes, FX, and beyond, using 4 modulation lanes, ensuring that it’s not just your notes that repeat in perfect sync; it’s your whole sound too. Modulations Galore Borderline-softsynth flexibility with single-knob control. Dual LFOs: MiniFreak’s 2 low-frequency oscillators strike the perfect balance between sound-design flexibility and simplicity. Send them in different directions, connect them to each other for unique compound modulation, or go off-grid for totally unpredictable movement that’ll keep your sounds guessing. Cycling Envelope: Available as a secondary envelope or as an LFO-like repeating envelope generator, the Cycling Envelope brings unique modulation shapes and qualities to the table. Create rapid-fire peaks, audio-rate fluctuations, and varying slopes with no more than a couple of tweaks. Custom LFO Shaper: Using the buttons to the right of MiniFreak’s Arpeggiator controls, create your own custom LFO shape, one segment at a time, letting you introduce complex shapes that routinely repeat for chaos that’s mechanical in its precision. In Perfect Harmony Emphasize creativity and experimentation in your sound production, without the concern of playing incorrect notes or encountering chord voicing errors. The Scale and Chord modes of MiniFreak monitor your musical contributions effectively. Chord Mode: Play full chord voicings with a single key thanks to this familiar musical feature. By default, Chord mode is set to a major triad, but you can input your own custom voicings one note at a time, which will be saved to MiniFreak’s memory. Scale Mode: Wave goodbye to wrong notes by locking MiniFreak’s keyboard and musical input to a scale of your choice. Choose from 5 preloaded scales, or punch in your own for melodies that never go outside the lines. Polyphonic, Diatonic: Combine both Chord mode and Scale mode for creating full chord sequences, polyphonic ideas, and harmonized melodies that stay in key at all times, making musical creativity effortless, enjoyable, and rewarding without fail. MiniFreak V Experience the same dynamic hybrid sound, featuring modeled analog filters, within your preferred digital audio workstation through a VST version of the MiniFreak that accompanies the instrument. You have the flexibility to utilize the identical presets in both physical and virtual formats, and you can adjust the VST using the MiniFreak's controls to ensure a smooth and uninterrupted creative process. Additional Features Engine 2 can be used to process Engine 1 1 envelope per voice, 1 cycling envelope per voice, 2 LFOs per voice Polyphonic analog filters and VCAs 6-voice polyphonic, 12-voice paraphonic, unison, or mono configuration User-customizable LFO curves Mod Matrix with 7 sources and 13 potential destinations OLED display for real-time visual feedback Performance Arpeggiator controls including Ratchet, Octave Randomize, and more MIDI in/out/thru, USB connectivity, sustain, audio in, and clock in/out connectivity, stereo outputs 256 factory presets, 256 user preset slots
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