Awaiting

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Part autobiography, part play, part fictive dream as long poem, Awaiting begins by detaching phrases and motifs from two seemingly disparate plays (Lorraine Hansberry’s What Use ar e Flowers? and Samuel Beckett’s Waiting for Godot) and entangling them into centos or poetic remixes. Through the incorporation of these entanglements, original poetry, and a surreal landscape, what develops is a new work blurring the sightlines of narrative space by way of the spiral, by way of the fragment and the self-reflective slip of the fold into and out of itself. Show more