BAL, Mieke

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Chicago: The University of Chicago Press, 2001. First edition. 134pp; color illus. Black cloth; dust jacket. Mild toning to edges of leaves, else fine in a jacket with light crumpl ing at spine ends. A book-length meditation on the Louise Bourgeois' installation Spider (1997), over the course of whose ten chapters theorist and critic Bal "offers a theoretical model for analyzing art "out of context" (jacket flap). Show more