A character-driven abstract print builds a pastel composition around a red arc and a sky-blue disc — soft pink grounds interrupted by a saturated accent, pencil arcs drifting across the surface the way a thought drifts across a long afternoon. The composition balances pressure against release — a swoop of red pulling down into a block of saturated cobalt, pink stepping in to soften the landing. The most saturated piece in the Ballouard series. The series paints in the lineage of Helen Frankenthaler — soft stained grounds interrupted by deliberate geometry. Rectangles overlap in translucent layers, drip lines are left where they fell. Where other pieces in the series let the white do the heavy lifting, this one tightens the weight into a swoop of red, and the composition pivots around it. Pencil arcs drift across the surface, never closing. The white of the canvas stays part of the picture, equal in weight to any mark. A fine art print sealed beneath crystal-clear acrylic, bonded to an aluminum composite backing. The stained pastels gain a wet, almost fresco-like depth through the acrylic front. The graphite lines and stained pastels hold their painterly texture under the glossy front. Six sizes, from Small 30×20 cm to Grand Edition 210×140 cm. Floating aluminum mount included — ready to hang on nails or nylon strings. Open edition from our Berlin-Mitte studio. Printed in Europe, shipped across the EU. Suits a bedroom where the morning light lands long before anyone moves. A quiet anchor for afternoons that stretch — favours linen over velvet.
