Fully Refurbished BeoGram 4002 Vintage - 1974-1980. Ex-Multi Award Winning Bang & Olufsen Retailer from 1989 - 2022. Immaculate Condition - Fully Refurbished by trained Ex-Bang & Olufsen service engineer with over 40 years experience. BeoGram 4002 in Rosewood - Very sought after and collectible Vintage turntable. Comes with Certificate of Refurbishment / Authenticity. All working parts come with 12 months guarantee* *The Stylus is newly tipped and in full working order but is excluded from the guarantee. If you want a turntable of this quality, in pristine condition both cosmetically and electronically; you will struggle to find a better example due to its rarity. Refurbishment Undertaken - The Beogram 4002 for sale has undergone a complete and thorough refurbishment. It has taken our qualified service engineer 9 weeks to strip down and replace every component that has failed or become compromised due to nearly 50 years use and the price reflects the quality and dedication of experienced workmanship. You will be purchasing a Bang & Olufsen turntable that runs and performs as it did when first sold. This opportunity is very rare due to the time each Bang & Olufsen turntable takes to fully restore, from the lid, the aluminium, the wood, the internal components and the styli. This has all been undertaken from an engineer who has worked with Bang & Olufsen for over 40 years BeoGram 4002 - 1974-1980 - Vintage turntable - Famous Designer Jacob Jensen Fully refurbished - Bang & Olufsen at its best. Manufactured: 1972 - 1974 Designer: Jacob Jensen Colours: Rosewood, Teak, White In 1972 and with Beogram 4000, Bang & Olufsen developed the world’s first electronically controlled tangential gramophone. The innovative and extremely stylish record deck was designed with usual flair by Jacob Jensen. In this pioneering concept, the pick-up moved in a straight line towards the centre of the record parallel with - or tangentially in relation to - the groove. By doing so, the small angular error which would otherwise occur when the pick-up arm moved in an arch on a conventional gramophone was removed. This was possible because the pick-up arm was electronically controlled by a light spot reflected off the record. This method also ensured that the gramophone started automatically, selected the desired speed - and that the pick-up actually touched the grooves of the record. The combined cartridge/stylus used on Beogram 4000 was the ultra-lightweight SP15 which was engineered by Subir Pramanik especially for this deck. Yet another sophisticated mechanical design, the double tone arm, demonstrated the break with the past. By using two arms, it was immediately clear that this was a gramophone which worked in a new and different way. Beogram 4000 was the first of the many tangentially-tracking record players that followed, finished in wood veneer, aluminium and plastic. Designed by Jacob Jensen Beogram 4000 and seven other Bang & Olufsen products were selected by the Museum of Modern Art in 1972 for its permanent collection of modern design. Jensen aimed at creating a record player which in its simplicity and panache was both timeless and up-to-date in its technical construction. The record player made use of the most advanced techniques; for instance, the electronic tangential pick-up arm, which by moving in a straight angle from the end of the record player always played the record at the correct angle - that which it was created with in the factory. The delicateness of the pick-up arm was also a part of making the design simple and attractive to look at. The same year, Beogram 4000 won the ID Award. The design and development process of the Bang & Olufsen Beogram 4000 turntable was carried out somewhat different to the normal procedure. Jacob and K G Zeuthen, a civil engineer - who had been one of Denmark's pioneers in aviation design - developed and constructed a full size working model ready for presentation to B&O. The design incorporated a parallel twin-armed pick-up, one arm for the pick-up and the other arm with an optical device which read the size of the record. Beogram 4000 was put into production without alteration and became a tremendous success. It gained many international design awards and contributed in maintaining Bang & Olufsen’s sharp design profile. In 1972 Beogram 4000 won the iF Design Award and in 1973 it received the Danish ID Award; that same year it was included in the New York's Museum of Modern Art (MoMA) Design collection. It also received the English Blue Ribbon award that year for outstanding design who labelled the deck as "the most awarded product within the Radio trade" With his design work, Jacob Jensen helped shape Bang & Olufsen product design with its characteristic use of discrete, clear lines and high functionality. It is a design which has helped manifest Bang & Olufsen’s easily-recognisable product identity. Through the assistance of Jacob Jensen, Bang & Olufsen was awarded the Danish Design Centre's ID Classic Prize in 1990 for its product design through 25 years.
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