Double tremolo in series Big Talker. We all know one. They just don’t know when to zip it. Awkward to be around at parties, potentially terrifying stood in front of a large audience. Are they big headed and self assured or just socially anxious? We’ll never find out because we can’t get a word in. Trem 1 Square Wave LFO with speed + control OR random wave Trem 2 Square Wave LFO with speed + depth control + Envelope Modulation EXP control over the speed of the second tremolo Topic A: No one brought it up yet here we are, sat round a dinner table discussing it yet again. Thank's for bringing it up. Dick... It also controls the speed of the first tremolo's square wave LFO. Intensity: How deep down this rabbit hole are we all willing to go? Useful because it controls the depth of the first Tremolo. Confusion: Are you confused now more than ever? Has the Big Talker's needless chatter stopped making sense? Switch the Confusion control downwards and you'll enter a world of unknowns - a psuedo random LFO is now active in the place of your predictable square wave LFO. Prepare to be confused. Tact: Gain control. Use it sparingly to boost your signal as the tremolos cut away at it. Cross Talk: Is it noisy in the room, is someone else talking too? Good heavens, what I wouldn't do for a bit of quiet. Crosstalk is the speed control for the second tremolo. Intensity 2: How interruptive is the crosstalk? Just like before, Intensity controls the depth of the 2nd tremolo. Subject Matter: Need a break? Yeah, me too. Switch it up by changing the subject matter. You just put on headphones and are now listening to something completely different, a new flow. But ah heck. They seem to have lost their trail of thought... Subject Matter changes your 2nd tremolo into an envelope follower. Now, whatever you play into Big Talker controls the speed of the second tremolo's LFO. Crosstalk now controls the LFO's max speed. Concentration: Damn it. It seems to have lost my spectacles. SQUIRREL! Hark, did you see that mocking Bird? Concentration damn it! -Do so by 'biasing' your instrument's envelope. This dial controls the level and decay of your input signal's envelope and thus how it interacts withthe LFO speeds for longer, or decay them much quicker, your choice.
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