The companion to Blushing Bride I — cotton bolls and dried botanicals against the same soft mauve-pink ground, with the arrangement shifted to create visual balance when the two are displayed together. The same soft, painterly quality applies — luminous white cotton against muted pink, with warm terracotta and brown in the dried stems. Together, the pair creates a tonal still life that feels collected and intentional. Hung as a pair flanking a mirror, a headboard, or a hallway console, these two prints create a natural symmetry that anchors the wall with warmth and softness. On its own, this second piece carries the same quiet presence — well suited to a guest bedroom, a reading nook, or a powder room where a single print is all the wall needs. The mauve-pink ground works with blush bedding, dusty rose ceramics, and cream or sand-toned textiles. Frame in oak for warmth, or in white for a cleaner, more modern look. The botanical subject keeps it natural and grounded, while the colour palette lifts it into something more considered and designed. Printed in Australia using archival giclée technology on FSC-certified 230gsm fine art paper — matte and fade-resistant. Available framed in solid FSC-certified timber in Black, White or Oak finish, with crystal-clear acrylic glazing that is UV-safe and shatter-resistant, or unframed as a standalone print ready for your own framing. White border option available — an unprinted margin for a clean, museum-inspired presentation. Sizes from A5 to 120x150cm. Every artwork is made to order. Framed art arrives ready to hang with secure hardware pre-installed.
