The Drums presents Brutalism, which is quite possibly the best collection of songs in their ten-year career. The album is defined by growth, transformation, and questions, but it doesn’t provide all the answers. Brutalism is a form of simplistic architecture defined by blocks of raw concrete. It is rooted in an emotional rawness but its layers are soft, intricate, and warm. The album is full of frivolous and exquisitely crafted pop songs that blast sunlight and high energy in the face of anxiety, solitude, and crippling self-doubt. For the making of this album, between his lake house in Upstate New York and a studio in Stinson Beach, California, Pierce was more open than ever, keeping his control freakery at bay, working with others to produce and record the album. He brought in Chris Coady (Beach House, Future Islands, Amen Dunes) to mix it. If there was a guitar part he wanted to write but couldn’t play, he brought in a guitarist. It’s also the first Drums record with a live drummer. Delegating freed up Pierce’s time to produce a more specific vision.
