With Buttato (Thrown Away), the Destruct Construct collection reaches one of its rawest and most honest peaks. The title itself is a statement of intent: the artist recovers what has been literally "thrown away" — fragments of past works, cardboard, material scraps — to elevate them to a new aesthetic dignity through a brutal yet harmonious assemblage. Buttato presents itself as a three-dimensional collage of artistic memories. The central figure, vaguely reminiscent of a human form or an urban totem, is composed of shreds from previous canvases, where splashes of color, drips, and graphic marks overlap chaotically. These fragments are glued and layered onto a mud-green and ochre background, creating a sharp visual contrast between the "old life" of the work and its new context. The disruptive element is provided by the inclusion of heterogeneous objects: a small colorful illustration at the bottom left and black plastic inserts that look like adhesive tape or industrial casing. The frame, made of raw metal plates cut and welded irregularly, accentuates the sense of industrial salvage. In Buttato, Remoi teaches us that scrap is not the end, but a new starting point; it is a work that screams resilience, proving that even from the pieces of what we have destroyed, a powerful and meaningful beauty can be rebuilt.
