“When did I start placing myself in the fable?” A young Parisian wonders as she tells her son the legend of Buffalo Bill, a spectral presence atop the mountain in their small Colorado town. She has just moved to the United States and everything disorients her – suburbs stretching along reptilian highways, a new house rigged like a studio set, but most of all, the sound of her husband’s voice. Sam speaks with a different tone in English, not the soft and swift timbre of his native French. From a voice made new, Maylis de Kerangal opens up a torrent of curiosities, hauntings, and questions about place and language. Seven stories ricochet off of this exhilarating central novella, and in them we hear female voices by turns indelibly witty, insightful, intimate, bracing, and profoundly interconnected. The women of these stories are mad about: stones, molds of human jaws, voicemail recordings, sonic waves, UFOs, and always how the texture of human voice entwines with their obsessions. With cosmic harmonics, vivid imagery, and a revelatory composition, Canoes will leave its reader forever altered.
