Canon EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount) Canon GR-V1 Camera Grip for EOS C200 Canon LM-V2 4.3" LCD Monitor Canon LA-V2 LCD Attachment Unit Handle Unit Shoulder Strap Battery Charger Compact Power Adapter AC Power Cable US Power Cord US Canon BP-A60 Battery Pack For EOS C300 Mark II, C200, and C200B Extension Unit Attachment Bracket Canon UN-5 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (20"') SanDisk Extreme PRO CFexpress Card Reader SanDisk 512GB Extreme PRO CFexpress Card Type B 1/4" Hex Wrench M3 Hex Wrench M4 Hex Wrench 1/4" Hex Socket Head Bolt M3 Hex Socket Head Bolt Bolt Stopper The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing.The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording. Full-Frame CMOS Sensor, DIG!C DV 7 Chip Full-Frame, Super 35, and Super 16 Modes DCI 4K/2K, UHD 4K, and HD Modes User-Changeable Lens Mounts
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