New Generation Cinema EOS System 5.9K Full Frame sensor packed into a newly developed compact and reliable Cinema EOS body, this camera provides new inspiration and great flexibility for all cinematographers. Breathtaking Full Frame Image Quality Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science. The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions. High Quality and Efficient Recording Formats The EOS C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files. This multi-recording format provides efficiency and fulfils production requirements. Cinema RAW Light 5.9K - Record Cinema RAW Light internally at up to 2.1Gbps XF-AVC 4K 4:2:2 10-bit - Record XF-AVC up to 810Mbps 5.9K Over Sampling Processing for 4K The EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image. Compact, Lightweight and Reliable Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions. Various Mount and Lens Options The EOS C500 Mark II provides support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses. Highly Configurable and Modular Design Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit EU-V1 offers additional connectivity such as a Genlock interface, while Extension Unit EU-V2 adds further interfaces, including two more XLR inputs and a V-Lock battery mount for extended recording times. Extension Unit EU-V3 is designed for multi-camera live productions with Tally and Return Signal support. The optional EVF -V50 viewfinder is ideal for hand-held use and it is easily removable for gimbal applications. Pioneering Auto Focus Technology The EOS C500 MARK II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF and reliable Face Detection up to 120p. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 MARK II offers the ability to set the AF tracking speed and response. First Cinema EOS to Support Electronic IS EOS C500 Mark II is the first Cinema EOS camera to incorporate Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length. Automatically obtains focal length - When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS. Electronic IS with non-electrical contact lenses - Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses. Focal Length can be saved - Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings. High Frame Rates The EOS C500 Mark II supports high frame rate recordings up to a maximum 50/60 fps at 5.9K. In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow & Fast button gives quick access for Slow & Fast settings. Advanced Interface The EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable. Monitor and HDMI terminals can operate simultaneously, and the 12G-SDI output features 2K or FHD options when shooting at 4K for additional flexibility. Full Frame ND Filter Equipped with a robust built-in electronically controlled ND filter system, EOS C500 Mark II supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime. New OSD Layout Newly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs. Anamorphic Lens Support EOS C500 MARK II supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing. In addition, 4:3 (4192 x 3140) and 6:5 (3768 x 3140) shooting resolutions are supported. Users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x and 1.8x anamorphic lenses are also supported. User LUT Support In addition to Canon’s in-built Cinema EOS lookup tables, import custom 3D LUTs for both viewing and internal recording, for even more efficient colour pipeline workflows. A dedicated LUT button gives additional operational flexibility. ACES Support The EOS C500 Mark II supports ACES 1.0 of the Academy Color Encoding System. Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems. Additionally, video output from the camera can be monitored by selecting the ACES Proxy.
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