.Very rare first Venetian edition of this attractively printed guide codifying the vestments and actions of all participants in ceremonies carried out in the presence of bishops. Two Roman editions appeared in the same year, both printed in October as stated on to their title-pages. It contains choral music for various prayers and tones to be used in daily services, with variations, and for the sung confession during the mass. Its prescriptions for the use of the organ and choral music in worship remained until the Second Vatican Council of 1965.. . ..The work is divided into two books: the first deals, inter alia, with what a bishop must do following his election, his dress, including the mitre and crook and the use of shaded canopies, his duties and privileges, his behaviour to his superiors (legates, cardinals, nuncios, etc.) and the behaviour of his assistants, including reverences, genuflections, etc.; the second concerns the offices of the holy mass when taken by the bishop and when conducted in his presence and absence, including services for the anniversary of the death of his professor, for the occasion of his own last illness and death, and prayers for his successor. . . ..The prescriptions for the organ and choral music (ff. 51-52) state that music should be heard on Sunday or festival where the people are accustomed to abstain from menial work. There are exceptions, however, including solemn festivals such as Advent (except the third Sunday, called gaudete), the Annunciation, and the Mass of the Dead, when only plainchant can be used. The arrival of bishops or other important prelates should be accompanied by the playing of the organ. Describing both call-and-response between the cantor and organ and the use of the organ to accompany the choir, the guide describes the use of music during matins, vespers and the mass, stating when the organ should be played, including the Kyrie, Gloria and Agnus Dei, etc. The use of profane, sportive, or any other kind of musical instruments besides the organ is forbidden entirely, and the author condemns any kind of singing that invokes levity or lasciviousness, or in any way distracts worshippers from contemplation of the divine. .
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