Futurismo present a repress of DEVO's celebrated and sold-out ART DEVO 1973-1977. Now available as a 3xLP in an limited audiophile pressing of 'Audio Viz' Black vinyl. The release all hardcore Devo fans have been waiting for, ART DEVO is a vital collection housing unheard and obscure mind blowers sourced directly from the vaults of The De-Evolution Band. This anthology takes you from the bands initial conception in Akron, Ohio to the moment before the world woke up, in a collection of sonic and visual art that captures Devo at the dawn of industrial death. In honor of their 50th Anniversary, ART DEVO showcases the mesmerizing evolution of a band on the brink of discovery, mining irony, wit and dark humor from the madness of a distorted modern world still coming to terms with aftermath of a collapsed economy and the Vietnam war. From 1973-1977 Devo would transform from an art project, pop art in the literal sense, into the group David Bowie would declare "the band of the future". Here you will find the audio mutations of a band at the edge of greatness, initial concepts that gave birth to a new aesthetic that continually challenged preconceptions about music, art, performance, culture, composition and consumption... it was also the birth of Booji Boy. While the songs here may not be fully grown, raw even, these are the seeds of subversion that kickstarted Devo's fifty year legacy. Spanning 3xLP's almost completely unheard and unreleased material, this collection draws purely from that integral early history, garnered from unearthed basement recordings, original demo tapes, unfinished montages and rare live audio, all taken from the bands personal archive. This collection showcases why Devo was, and is still, one of the most important bands in American history. De-evolution is real. The art of DEVO is real. Here is the evidence. This 3xLP version is housed in a gloss laminated wide spined sleeve, it has a track list that has been curated by the band, and contains a fold-out poster containing rare imagery and liner notes by Mark Mothersbaugh and Gerald V Casale.
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