Finally on vinyl! Originally released only on CD only back in 2003, the very first DFA comp would introduce the world to the unique dance visions from the then up-and-coming NY label. At the time, vinyl 12"s were the only way to get DFA releases in their entirety, and I guess CD's were still viable (no iTunes store yet!), so this compilation served the non-DJ/no-vinyl types. Listening back now to seminal cuts from LCD Sound System, The Rapture, The Juan Maclean & Black Dice and it's clear that the DFA dance-punk aesthetic pretty much forcast the sound on dancefloors throughout the aughts and beyond. Biters come and go, but these are the original trendsetters. Here's the still on-point Lab review from way back when: Well, kudos to the DFA boys for a succinct title - this is indeed a compilation of the New York production duo/label's 12" a-side output thus far, and it's a pretty impressive one at that. The DFA gets props far and above the pasty, unwashed masses of Williamsburger bands who have been mistakenly labeled with some permutation of the adjective "dance-" (as in dance-punk, dance-post-punk, whatever) in the recent rock revival/media frenzy. A sloppy four-to-the-floor beat and a well-worn copy of the Gang of Four's Entertainment do not dance music make, my friends. What separates the DFA aesthetic from this chaff is an un-ironic appreciation of early Chicago house, deep disco, dancey post-punk, and rock in general, and the ability to combine them all in a way that each retains its stylistic integrity in the mix. In other words, no one is laughing at the music they are making. The Rapture doesn't sound like a rock group trying to make half-assed dance records, they simply sound like a good band. Things kick off with nicely with The Juan MacLean's "By The Time I Get To Venus," a bumping electro number that reference's dark '80s electro-pop without getting cheeky. James Murphy's (1/2 of the DFA) LCD Soundsystem release "Give It Up" is a great itchey post-punk dance number, and while you might be sick of The Rapture's "House Of Jealous Lovers" by now, it is a massively great track, arguably the soundtrack of NYC the last year, and the record that put the DFA on map. Also here is the Rapture's damaged-pretty "Silent Morning", LCD's hilarious hipster anti-anthem "Losing My Edge, The Juan MacLean's "You Can't Have It Both Ways," and two tracks from free-form wankers (in a good way) the Black Dice. 1st time on vinyl originally CD-only comp from 2003 gatefold sleeve music label: DFA 2016 reviewed by Kohi Kontainer 10/2016 #TTLdrop: back in early 2000 i think @Roctakon first put us onto The Rapture's first single on @DFArecs. our ears were fatigued from golden era singles and the same set of house classics... it was one of the first rock records that crossed over into our Lab DJ universe. This was followed by a steady stream of singles from #LCDSoundsystem and #TheJuanMaclean, all distinctive with their unexpected styles and those beautifully minimal, color-coded labels. DFA Compilation #1 compiles those early singles and appears on vinyl for the time (link to buy in bio). A video posted by @turntablelab on Nov 2, 2016 at 12:01pm PDT
