Estimated Time of Completion: 2 - 4 weeks Diana Alfonso Milá , Federico Correa , Miguel Milá | 1991 In keeping with the calling of its creators, the Diana lamp has a timeless quality. Its metal structure and linen shade are in perfect harmony. Designed to illuminate the Mayor of Barcelona’s new offices in the run-up to the 1992 Olympics, its appearance evokes a balance between classic tradition and modernity wherever it is placed. Dimension plane Overview Metal structure with shiny gold or satin nickel finish.Diana: white linen lampshade with translucent white parchment upper diffuser or black linen lampshade with stone parchment upper diffuser.Diana mayor: white or black linen lampshade no upper diffuser. Dimmer included Light sources Recommended dimmable light source (not included): Other light sources: Max. 75 WInput voltage: 100, 120, 230 Vac.(50 Hz / 60 Hz). According to destination.Lamp holder: E26 (Max. height 137 mm / 5.4″) Miguel Milá Barcelona, 1931 - 2024 Born in Barcelona into an aristocratic family linked to the artistic world (his uncle Pedro Milá Camps commissioned Gaudí to build the famous Casa Milá, known as La Pedrera), Miguel Milá began working as an interior designer in the family studio shared by his brother Alfonso Milá and Federico Correa. It was the 1950s, a time of autocracy and constant crisis, when hardly anyone knew what industrial design was. Miguel’s youthful curiosity introduced him to the world of material experimentation, leaving aside his architectural studies in favor of more useful craftsmanship. Three years later, together with his two architect friends, Francisco Ribas Barangé and Eduardo Pérez Ulibarri, he founded Trabajos Molestos, or Tramo, a company focused on the design and production of interior furniture. This led to the first versions of the TMC lamp (1958) and the TMM lamp(1961), two timeless classics that continue to captivate current generations. At the beginning of the 21st century, Miguel founded his own interior design studio, safeguarding his processes and perfecting his technique: "I'm actually a pre-industrial designer. I feel more comfortable with those technical procedures that allow me to correct mistakes, experiment during the process and control it as much as possible. Hence my preference for noble materials, which know how to age well." Beyond the workshop, Miguel Milá participated in meetings with architects and designers where he discussed the aesthetics and architectural modernity of Barcelona. As a result of these discussions, the first industrial design association in Spain, the ADI-FAD, was founded together with André Ricard, Antoni de Moragas, Oriol Bohigas and Rafael Marquina, among others. Since its creation, the association has been dedicated to promoting Spanish design abroad, and Miguel Milá was its president between 1974 and 1984. Miguel Milá defines his style of creation as a process of craftsmanship, based on "having an idea and paring off what is superfluous". This is what happened with the Cesta table lamp (1964) and his subsequent family of table lamps, such as Cestita and Alubat, as well as various pendant lamps such as Globo Cesta. "A lamp spends more time off than on, so you have to take great care to ensure that its shape contributes to the space in the most exciting way possible," says Miguel Milá. The Barcelona native was also a teacher for 14 years, working at the city s prestigious ELISAVA and EINA design schools. In 1987, Miguel was awarded the National Design Award (in its first edition) jointly with André Ricard, and in 2008 he received the Compasso D Oro from the Italian ADI in recognition of his professional career and his contribution to the diffusion of Spanish design abroad. He is a six-time winner of the ADI-FAD award. He was posthumously awarded the Gold Medal of the City of Barcelona in recognition of his career and his unparalleled contribution to the world of design.
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