English songsmith Douglas Dare returns with his third and most stripped back studio album to date, Milkteeth, released on 21 February 2020 with Erased Tapes. Produced by Mike Lindsay founding member of Tunng and one half of LUMP with Laura Marling in his studio in Margate in just twelve days, Milkteeth sees Douglas become confident and comfortable enough with his own identity to reflect on both the joys and pains of youth. In doing so, he has established himself as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound. Douglas Dare grew up on a farm as the youngest member of a large extended family, where he was often found in his own private world, dancing in his mothers pink ballet dress. Only now do I feel free to express my inner child again, and am giving myself permission to play dress up, says Dare of Milkteeths cover shot, in which he wears soft makeup and is draped with layers of white linen, acting the part of a Greek muse. I never felt like I fit in. I was different, odd. I wanted to dance and sing and dress up and on a small farm in rural Dorset that really stuck out. Where previously he has been known as a piano player, for Milkteeth Dare picked up a new instrument, the autoharp, and as soon as he sat down with it, songs poured out he wrote the albums first single Silly Games, in under an hour. Instinctual feelings about childhood and innocence were the catalyst, he explains. Then with the autoharp, it all just clicked I could see the album laid out ahead of me. Milkteeth opens with I Am Free, which loops piano and lyrics in an intimate dance, comparing the seemingly inexorable freedom of childhood to flying. The Playground is a song Dare says hes wanted to write for years, about a yearning for childhood innocence and simplicity. While Red Arrows tells a story of vulnerability, of craving parental comfort, The Joy In Sarahs Eyes is a Jeff Buckley-esque ballad for a new generation. In Heavenly Bodies there is an unhurried darkness that nods to Leonard Cohens songwriting, and is also the first time Dare has played the guitar on record. The melodies on Milkteeth are deliberately simple; Dare wanted it to feel familiar right from the first listen. In between these songs sit instrumental pieces The Piano Room, The Stairwell, The Window named for the spots they were recorded in, moments for stillness and reflection. Marking his arrival in 2014 with the release of his acclaimed debut Whelm and establishing his musical dexterity on the much darker follow up Aforger in 2016, Dares star keeps growing. In 2017 he was asked to contribute a re-interpretation of Dance Me to the End of Love to the Leonard Cohen exhibition A Crack in Everything at the Contemporary Art Museum of MontrÈal, currently showing at The Jewish Museum in New York before opening at the Contemporary Jewish Museum in San Francisco in September 2020. He was invited by Robert Smith to perfo 1. I Am Free 2. Red Arrows 3. Heavenly Bodies 4. The Piano Room 5. Silly Games 6. The Joy In Sarah's Eyes 7. The Stairwell 8. Wherever You Are 9. The Window 10. The Playground 11. Run Internal ID: JITRE Genre: Dance & Electronic Released: 2/21/20 Format Detail: 12" Vinyl [w/ download card] Format: Vinyl Handling Note: **Please allow an additional 72 hours for this item's shipment.**
