DPA Microphones 2006A - 2006 Twin Diaphragm Omnidirectional Microphone - DPA Microphones 2006A Twin Diaphragm Omnidirectional Microphone

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Our unique Twin Diaphragm Omni Mic Capsule is at the heart of these amazing microphones. This capsule gives the mic a distinctive, well-balanced sound and bridges the gap between t he extreme sound quality of our pencil microphones and our well-known lavalier microphones. Two opposite-facing miniature capsules are custom rebuilt inside this microphone. They are placed into a double-diaphragm, one-capsule composition. This combines the advantages of small capsules with the lower inherent noise achieved from a larger diaphragm area. These capsules provide fast impulse response and large frequency bandwidth. The capsules are loaded to our supreme preamps, which gives the sound more air and precision. Combine it with the preamp of your choice As with all of our modular pencil microphones, you can combine the Twin Diaphragm Omni Mic Capsule with any of our preamps. The MMP-A Mic Preamp is an ultra-transparent, transformerless preamp with active drive for impedance balancing. The MMP-C Compact Mic Preamp is an ultra-compact preamp with active drive for impedance balancing. It has a slightly softer character than the other preamps for our pencil microphones. Other preamps include the very small form factor types MMP-E Modular Active Cable (XLR output) and MMP-G Modular Active Cable (MicroDot output), allowing for very slim set-ups. The MMP-G even allows you to match a larger microphone directly to a wireless transmitter. For the true audiophile, the 2006A Twin Diaphragm Omni Mic offers low distortion and totally accurate and faithful sound. The 2006C Compact Twin Diaphragm Omni Mic offers a subtle character alteration with a bit more “body” to the low end than the 2006A. It is also much easier to position than other omni mics, due to its smaller size. At any time, and with no tools needed, it is possible to transform the 2006 Twin Diaphragm Omni Mic into a new configuration. A bit about omnis An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations. Nonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise. Features Acoustic authenticity Linear throughout a large frequency bandwidth Twin-Diaphragm Capsule Technology Modular flexibility Twin Diaphragm Omni Directional Microphone. Acoustic authenticity Linear throughout a large frequency bandwidth Twin-Diaphragm Capsule Technology Modular flexibility A pre-polarized, twin diaphragm omnidirectional microphone with a dynamic range of 114 dB. Directional pattern Omnidirectional Principle of operation Pressure Cartridge type Pre-polarized condenser, Twin Diaphragm Capsule Frequency response 20 Hz - 20 kHz Effective frequency range ±2 dB 50 Hz - 20 kHz with typ. 3 dB soft boost at 14 kHz Sensitivity, nominal, ±2 dB at 1 kHz 40 mV/Pa; -28 dB re. 1 V/Pa Equivalent noise level, A-weighted Typ. 16 dB(A) re. 20 µPa (max. 18 dB(A)) Equivalent noise level, ITU-R BS.468-4 Typ. 28 dB (max. 30 dB) Distortion, THD < 1% 127 dB SPL RMS, 130 dB SPL peak Dynamic range Typ. 114 dB Max. SPL, THD 10% 146 dB SPL peak Switchable attenuator, filters etc. 0 dB / -20 dB Rated output impedance 200 Ω Minimum load impedance 2 kΩ Output balance principle Impedance balancing with Active Drive Common mode rejection ratio (CMRR) > 60 dB Power supply (for full performance) P48 (Phantom Power) Current consumption 2.8 mA Connector XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase Color Matte black Weight 160 g (5.6 oz) Microphone diameter 19 mm (0.75 in) Microphone length 164 mm (6.5 in) Maximum output voltage, RMS 8 V Polarity +V at pin 2 for positive sound pressure Temperature range -40°C to 45°C (-40°F to 113°F) Relative humidity (RH) Up to 90% Sensitivity selection tolerance (at 1 kHz) ±1.5 dB Operating Principle Pressure Operated Capsule Condenser Polar Pattern Omnidirectional Performance Frequency Range 20 Hz to 20 kHz Maximum SPL 141 dB SPL Impedance 200 Ohms Load Impedance 2 Kilohms Sensitivity -28 dB Dynamic Range 114 dB Signal-to-Noise Ratio 78 dB A-Weighted Equivalent Noise Level 16 dB A-Weighted28 dB ITU-R 468 THD < 1% CMRR 60 dB Power Operating Voltage 48 V ± 4 V Operating Current Consumption 2.8 mA Physical Operating Temperature -40 to 113°F / -40 to 45°C Operating Humidity 90% Dimensions ø: 0.75 x L: 6.46" / ø: 19 x L: 164 mm Weight 5.64 oz / 160 g Packaging Info Package Weight 0.85 lb Box Dimensions (LxWxH) 10.8 x 6.1 x 2.8" Show more