EFNOTE PRO 501 Traditional Set

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Availability: Pre-Order EFNOTE PRO 501 Traditional Set EFNOTE PRO 501 Traditional Set The Stage Drums™ INCLUDED IN THE KIT EFDPRO5-STDSET 1x Sound Module: EFD-PRO 1x Kick Drum: EFD -K1612-WS 1x Snare Drum: EFD-S1250-WS 1x Rack Tom: EFD-T1070-WS 1x Floor Tom: EFD-T1212-WS 1x Hi-Hat Cymbals: EFD-H14 1x Crash Cymbal: EFD-C16 1x Ride Cymbal: EFD-C18 EFD7-BOX3 1x Snare Stand: EFD-SS5 2x Cymbal Stand: EFD-CS5 1x Tom Mount: EFD-TM5 EFD5-EXPCK1 1x Rack Tom 11": EFD-T1180-WS 1x Standard Cymbal 16": EFD-C16 1x Cymbal Stand: EFD-CS5 2x Tom Mount: EFD-TM5 Enhance the Stage EFNOTE PRO is designed to digitize your drum riser, then elevates your stage. By simply connecting up to 12 balanced XLR outputs to your stage snake or sound-board, you will be sending and receiving the highest quality drum sounds on the market with total consistency and perfect isolation. No More Acrylic Panel There is no need to isolate your drummer from the choir, acoustic instruments, your audience or congregation. Your drummer is now free to connect and engage with everyone! EFNOTE PRO has eliminated mic bleed and feedback problems on-stage, creating the ideal FOH mixing environment with clarity, balance and control. Stage-Box Reliability EFNOTE PRO has eliminated the need to change mics or mic placement, tuning, head replacement and maintenance at every show. Just assign its 12-ch balanced outputs, using stereo or mono sends, such as kick, snare, toms, cymbals, click and external sampling pad. Each channel is equipped with HPF, 2-band EQ, individual compressors for Bus 1-6, and ground lift switches. Flexibility for All Music EFNOTE PRO supports 7 shells and 8 cymbals. All pads are individually wired, so players can adapt to any musical environment. All sound settings can be quickly saved and loaded, for multiple players and set-lists at any time. In addition, with 12-ch of multitrack USB Audio and 16-ch USB MIDI running simultaneously, a drummer, producer or mixer have quick access to editing, in order to meet artist’s budget requirements. Design Innovative Two-Piece Design The two-piece sound module provides both operability and expandability required by professionals Low-profile and compact control surface with touch-screen full-color LCD Floor-standing base unit with robust enclosure and reliable cable connections Perfect Customizing Mix and match the expansion packs and optional components to create your ideal set Consistent pad design Supports EFNOTE 3/3X/5/5X/7/7X pads Beautiful Kit Images Inspire Kit themes that highlight the musicality of each kit Simple interface design for professionals High-definition and high-brightness screen Discrete Foot Stage Light A footlight is equipped on the bottom of the control surface to help with setup and adjustment of the stage box Great for dark stages Adjustable brightness Contains Legendary Drums Sets The delicate resonance of aged shells are newly captured, recorded by EFNOTE Raw and organic, NOT synthetic and electronic Includes maple, birch, acrylic, steel, aluminum, brass, titanium shells, even a towel-muted sound Diverse Cymbal Collection Our mint selection, from bright and crisp modern sounds to dark and soft vintage sounds Contains modern trash/effect/stacked cymbal sounds Instrument Expansion New sounds (drum sounds only) will be published on the EFNOTE webpage and will be loadable Overlay Tone (Layering) Elements such as tambourines and EDM kicks can be easily layered over each drum sound Attack Elements for reinforcing the attack Percussion sounds eKick, eSnare and eClap sounds High-Powered Headphone Amp 1x 1/4" jack + 1x 1/8" jack for headphones (can be used simultaneously) Dedicated 2x headphone amp circuit for enough loudness High quality DAC and audio circuit Playability 7 Shells and 8 Cymbals Build a custom kit for any stage 5x 2-zone input for toms 6x 3-zone (including 3-zone hi-hat), 2x 2-zone input for cymbals Traditional individual trigger connections (TRS), for professional reliability ELISE™ Sensing Processor 2.0 We’ve evolved, delivering improved sensitivity for capturing your most delicate touch The new algorithm for even more natural dynamics Full Drum Pad Lineup Birch wood shells and 2-ply mesh drum heads Multi-sensor for hot-spotless and high-resolution sound 20” and 16” kick drums 14” and 12” snare drums 8”, 10”, 11” rack toms 12”, 13”, 15” floor toms “World's First” Cymbal Pads Tru-Motion™ 14” hi-hat cymbal 8” to 20” full size cymbal lineup, the first of their kind New 18” China cymbal and 17” effect cymbal with stackable/suspendable STAK™ mount Connectivity 12-ch Buses to the Console 12-ch buses, and 12x XLR balanced bus output Dedicated bus compression for Bus 1 to 6 HPF and 2-band EQs for Bus 1 to 12 Stereo-Link for two adjacent buses Ground lift switches XLR Inputs from the Console 2-ch Monitor In (XLR balanced) for monitoring return from the console 2-ch Line In (TS unbalanced) for an additional sampling/percussion pad Ground lift switch for Monitor In USB 12-ch Multi-Track Recording Simultaneous recording of 12-ch multi-track Audio and multi-track MIDI is available Confirmed with major DAWs 5-pin DIN MIDI Out Bluetooth® Wireless connection with a smartphone or tablet for playing along (EFNOTE app will be available) Centralized Volume Control Simply press the left encoder knob to access the central volume management window One-touch switching between Main L/R and Bus Mix L/R monitoring One-touch mute for Monitor In Graphical Bus Assigning Graphical bus assignment helps you setup your intended routing correctly All Pads can be assigned as both stereo and mono outputs Click, Line In, and Monitor In can be set to a bus individually Bus Effect Overview Allows viewing of each bus’s settings of effects and stereo link in one window HPF, EQ, Comp, and Stereo-link can be selected ON/OFF at once Personalized Mix and Pre Mix Bus Mixer function allows you to mix the 12-ch buses and monitor them with the best balance for the drummer Pre-mixing for small stage, with EQ and compression before sending to the console for fewer audio channels Drum-Centric Bus Compression Bus Compressor (for Bus 1 to 6) helps you dial in the sound, especially for non-robust PA systems Designed with a focus on processing speed and accuracy The attack time can be set to 0 ms Bus HPF and Bus EQ Bus High-Pass Filter and 2-band Bus EQ (for Bus 1 to 12) allow flexible sound correction according to the PA environment Bus Gain Switches If necessary, the signal-to-noise ratio can be improved by increasing the gain of each bus Output Management Attenuator (up to -30dB) for XLR outputs XLR 5/6 can output Bus Mix L/R instead of Bus 5/6 for a small mixer XLR 1/2 can also output Main L/R instead of Bus 1/2 Rename-able bus labels HPF/EQ for Main L/R High-pass filter and 2-band EQ are also available even when using Mai Show more