Estimated Time of Completion: 2 - 4 weeks Estadio Singular Miguel Milá | 2023 To simplify alludes to investigating the essence of a product. While preserving its traditional character, the Estadio family evolves from the ring to a single, simple column to satisfy new functions. A discreet aluminium body, in black or white, holds the historic glass brick. Solid and adapted for outdoor use, its repetition delimits the perimeter and points the way forward, both inside and out. Dimension plane Overview White or texturized black metal structure.Glass block shade.Suitable for Damp Locations. Suitable for dimming 1-10V / DALI. Not included external dimmer switch 1-10V / DALI.Suitable for Outlet Box (American version).Weight: 2.5 kg / 5.5 lib Light sources Light source included (dimmable) Miguel Milá Barcelona, 1931 - 2024 Born in Barcelona into an aristocratic family linked to the artistic world (his uncle Pedro Milá Camps commissioned Gaudí to build the famous Casa Milá, known as La Pedrera), Miguel Milá began working as an interior designer in the family studio shared by his brother Alfonso Milá and Federico Correa. It was the 1950s, a time of autocracy and constant crisis, when hardly anyone knew what industrial design was. Miguel’s youthful curiosity introduced him to the world of material experimentation, leaving aside his architectural studies in favor of more useful craftsmanship. Three years later, together with his two architect friends, Francisco Ribas Barangé and Eduardo Pérez Ulibarri, he founded Trabajos Molestos, or Tramo, a company focused on the design and production of interior furniture. This led to the first versions of the TMC lamp (1958) and the TMM lamp(1961), two timeless classics that continue to captivate current generations. At the beginning of the 21st century, Miguel founded his own interior design studio, safeguarding his processes and perfecting his technique: "I'm actually a pre-industrial designer. I feel more comfortable with those technical procedures that allow me to correct mistakes, experiment during the process and control it as much as possible. Hence my preference for noble materials, which know how to age well." Beyond the workshop, Miguel Milá participated in meetings with architects and designers where he discussed the aesthetics and architectural modernity of Barcelona. As a result of these discussions, the first industrial design association in Spain, the ADI-FAD, was founded together with André Ricard, Antoni de Moragas, Oriol Bohigas and Rafael Marquina, among others. Since its creation, the association has been dedicated to promoting Spanish design abroad, and Miguel Milá was its president between 1974 and 1984. Miguel Milá defines his style of creation as a process of craftsmanship, based on "having an idea and paring off what is superfluous". This is what happened with the Cesta table lamp (1964) and his subsequent family of table lamps, such as Cestita and Alubat, as well as various pendant lamps such as Globo Cesta. "A lamp spends more time off than on, so you have to take great care to ensure that its shape contributes to the space in the most exciting way possible," says Miguel Milá. The Barcelona native was also a teacher for 14 years, working at the city s prestigious ELISAVA and EINA design schools. In 1987, Miguel was awarded the National Design Award (in its first edition) jointly with André Ricard, and in 2008 he received the Compasso D Oro from the Italian ADI in recognition of his professional career and his contribution to the diffusion of Spanish design abroad. He is a six-time winner of the ADI-FAD award. He was posthumously awarded the Gold Medal of the City of Barcelona in recognition of his career and his unparalleled contribution to the world of design.
