.First edition of this pocket collection of sententiae and proverbs from the Greek and Latin comic authors, edited by Henri Estienne. The volume is in a lovely contemporary painted strapwork binding, probably from a Lyonese or Parisian workshop, the principal sources of production of these charming bindings around the mid 16.th. century. Although the technical procedure of gilding and painting had been developed in Italy, similar relieures à la cire with coloured or uncoloured geometrical interlacings quickly came to typify the elegance of the French Renaissance binders. Enamelled onlays and fine gilt borders were particularly appreciated by the grandest patrons of the day - Grolier, Henry II, Catherine de Medici - and realised only by a handful of skilled doreurs sur cire . The main feature of these bindings is that each one is unique: this is a simple and elegant example, with a peculiar three dots pattern filling in the spaces of the design instead of the more common dense single dots pattern. . . Comicorum Graecorum Sententiae is an entertaining anthology of Greek aphorisms ( sententiae in Laitn, gnomai in Greek), selected, translated and commented on by Henri Estienne. This is one of Estienne s tiniest books, defined pusillus (i.e. very little) in the dedication to the Duke of Bavaria. It begins with a short introductory treatise by Estienne on aphorisms, outlining what they are and how to select them. Then, a few chapters are dedicated to Greek New Comedy playwrights in alphabetical order (e.g. Apollodorus, Antiphanes, Diphilus, Menander, etc), containing a list of their sententiae with a Latin translation and a brief explanation. Another series of chapters contains aphorisms, mainly from Menander, organised by subject, e.g. on the future , friends , drunkenness , luck , wealth , anger , laughter . At the end, a separate section not indicated in the title page contains a similar collection derived from Latin authors (including Naevius, Ennius, Terence, Plautus etc.), including a selection of Publius Syrus sententiae with a commentary by Erasmus. These sorts of compilations were very popular in their day, and Henri Estienne may have issued them as bread-and-butter publications, in order to raise the capital (which he had lost with the patronage of Fugger) necessary to meet the printing and publication costs of his magnum opus now nearing completion: the Thesaurus Graecae Linguae (Schreiber). . .Interestingly, several pages were deliberately left blank to allow for the reader s notes: in this copy, the last blank leaf is annotated in a contemporary hand, and it contains an index of contents from page 190 to 271.
