Following the 2020 release of their seventh album Satin Returns, Melbourne’s masters of pop’n’roll, EVEN, return with DOWN THE SHOPS, a freshly compiled, beautifully presented vinyl collection of covers they've released along their journey.Ever since working up a rocking version of Badfinger’s “No Matter What” in their early mid-‘90s days playing the pubs around Fitzroy and St Kilda, Even have usually had a cover or two on the go. They weren’t averse to working up a load of them. They did Even Jukebox performances every year at Melbourne’s illustrious Cherry Bar for a while where it was all covers and themes, like an ‘Even Stevens’ night where all the songs were written and or performed by a Stephen, Steve or Stevie, or Ziggy Stardust from start to finish for the album’s 40th birthday. They were also the house band on The Heart of St Kilda benefit gigs at the Palais for quite a few years, where they backed Daryl Braithwaite, Adalita, Normie Rowe, Kate Ceberano, Tim Rogers and many more.Originally appearing on singles and tribute albums, the tracks included on DOWN THE SHOPS go right back to covers of the Kinks’ classic “’Til the End of the Day” and Gary Valentine’s Blondie power pop masterpiece “(I’m Always Touched By Your) Presence, Dear”, which appeared as B-sides on Even’s early CD singles. The most recent track is a cover of the Meanies’ “The Reason Why” which appeared on a split single the band shared in 2019. The album’s track listing reads very much like a list of the band’s influences – including Beatles, Yardbirds, formative Australian inspirations Sunnyboys, Hoodoo Gurus and Stems, and classic ‘90s power poppers Posies, whose 1993 classic “Solar Sister” was on regular rotation when Even formed in early 1994. A couple of unexpected highlights include a great version of MC5’s “Shakin’ Street” (which appropriately originally appeared on the B-side of their “Rock’n’Roll Save My Life” 45), and the brilliant “True” by Sydney ‘90s indie supergroup Carton, featuring Mandy Barron, Smudge’s Alison Galloway and Screamfeeder's Kellie Lloyd. Taking the cake for unexpected is a roaring and swinging never-before-released version of the Sex Pistols’ “Pretty Vacant” from a 2014 Jukebox gig at Cherry.
