A volume consecrated to the drawing-shape. Aged texts, staves, languages and signs. The history and its mirror. In cooperation with Traslochi Emotivi. The pictures of the book have been singled out from two largeformat drawings. This drawings arose from the interaction between the signs of the writing and the lines of the drawing. Some verses from the sacred texts preserved in the Braidense National Library were printed onto two sheet of a special kind of paper, somehow resembling a beehive. The withdrawing of the lines is a sort of openness towards the writing. The picture is the mark of an event into the immense distance between the telling and the watching. It is the memory that falls off the perception and senses the speed of the instant, it is the infinitely open and infinitely lost sense.
