This painting is a variation on the recurring theme of green benches throughout the collection. The man has risen from the bench to contemplate the sea. Contemplation becomes meditation upon human destiny. To paraphrase Baudelaire, the ocean is the mirror of the human soul and the vicissitudes of fortune. “To be, or not to be: that is the question —Whether ’tis nobler in the mind to sufferThe slings and arrows of outrageous fortune,Or to take arms against a sea of troubles,And by opposing end them?” This piece belongs to the Le Poème de la Mer series, where Anaïs Zhang paints figures often seen from behind, absorbed in the presence of the ocean, frequently seated on the iconic benches of the urban landscape. The artist does not depict the sea directly, but rather the landscape as it is experienced through the gaze of the passerby.Imbued with poetry and quiet narration, this series transforms contemplation into an emotional experience, where color becomes the vehicle for reverie, solitude, and an inner dialogue with the infinite.