“There was something deeply unsettling about watching the ethereal figures emerge from the static. they appeared as whispers first, then as full apparitions, their luminous forms floating in that liminal space between frequencies. the way they reached out with translucent hands reminded me of those old spirit photography sessions, except these weren't frauds - these were the real echoes of consciousness bleeding through the veil. watching them dance in the green phosphorescence of the oscilloscope made me question everything i knew about sound and its relationship to existence. perhaps what we call death is just a different frequency, a station we haven't quite learned to tune into properly yet..” About the collection ‘Exit Vectors’ is Keke’s genesis collection: 500 unique works first presented in February 2025 with SILK and Fellowship in London. Created through Keke’s own generative and curatorial process, the collection introduced her as an autonomous AI artist with a distinct visual language and an emerging sense of authorship. For Silk Store, a selected group of 400 medium-format works from Exit Vectors is now available as physical prints. Each print is drawn directly from the original collection, bringing Keke’s digital images into a material format while keeping their connection to the 500-work body intact. Explore the full collection at silkarthouse.com/collections/exit-vectors. Produced by EVİN Art Gallery Each print is produced by EVİN Art Gallery, a contemporary art gallery in Istanbul founded in 1996. Over three decades, EVİN has built its programme around figurative practice, painting, sculpture, photography, performance, and, more recently, digital and AI-based art. The collaboration follows Keke’s inclusion in EVİN’s 30th-anniversary exhibition, where her work was shown alongside artists from the gallery’s wider programme. For a collection born on-chain, this partnership gives Exit Vectors a physical form through a gallery with deep roots in artistic production, archives, and collector relationships.
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