Ithaca, N.Y.: Cornell University Press, 1999. First edition, first printing (stated). Black-teal octavo, color illus to front cover, b&w author illus to rear cover, x, 200 pages, b&w illustrations, 24 cm. Extremely mild wear to spine head and foot, faint soiling and spotting to fore-edges, light spotting to front free endpaper, pale soiling to front cover and front free endpaper, exceedingly gentle rubbing to corners, bright pages in tight binding, else Near Fine(+). . Paperback. ISBN: 0801485371In Fetish, Henry Krips draws together Freudian and Marxian insights to provide accounts of fetishism and the gaze that afford new ways of understanding the relation of the individual to the social, of pleasure to desire. He uses discrete cultural artifacts as windows through which to view local instances of the mediation of pleasure and desire, demonstrating that users of cultural objects adapt them to suit their own strategic ends. Ranging widely over texts and cultures, he discusses Hopi initiation rites, Holbein's painting The Ambassadors, Robert Boyle's early scientific manual New Experiments Physico-Chemical, Toni Morrison's Beloved, the popular television series Mystery Science Theatre 3000, and David Cronenberg's film Crash.Jacques Lacan's theory of the gaze and Louis Althusser's theory of ideology frame Krips's perspectives on fetishism and the discourse of perversion, which he considers in light of postcolonial theory, the history of science, screen theory, and, of course, psychoanalysis. What results is a work remarkable for its clear exposition and its sophisticated synthesis of major theorists, its provocative argument that pleasure comes not from attaining desire but rather from moving around its object-cause. -Publisher. Contents: Introduction: Fetish and the Gaze -- I Introducing Lacan -- 1. The Song Not the Singer: Signifier, Objet a, Fetish -- 2. Body and Text: The Roots of the Unconscious -- II Fetish -- 3. A Slave to Desire: Defetishizing the Colonial Subject -- 4. Fetish and the Native Subject -- III Socializing the Psychic: From Interpellation to Gaze -- 5. Interpellation, Antagonism, Repetition -- 6. The Ambassador's Body: Unscreening the Gaze -- 7. The Vice of the Virtual Witness -- 8. Seeing Texts -- IV Interpassivity and the Postmodern -- 9. Interpassivity and the Knowing Wink: Mystery Science Theater 3000 -- 10. Crash and Subversion -- App. The Oedipus Connection. Fetishism, Psychiatric.
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