“Her language for exploring [history] is at once serious and exuberant.” –Siddhartha Mitter, New York Times Firelei Báez's fifteen-year practice examines the intricate historical currents of the Atlantic Basin through a multidisciplinary lens that encompasses anthropology, geography, folklore, speculative narratives, and social history. Her work systematically interrogates constructions of race, gender, and nationality across paintings, drawings, and installations of considerable conceptual depth. Characterized by meticulous layering of pattern, ornamental motifs, and richly saturated color palettes, her compositions foreground women of color adorned in refined sartorial elements and decorative vocabularies. These figures are rendered with commanding, unflinching gazes that assert their presence and authority within the visual field. Accompanying Báez's major North American traveling exhibition, this richly illustrated monograph provides comprehensive insight into her expansive artistic practice, establishing her prominence within contemporary art discourse. Structured partly as an artist's sketchbook, the publication juxtaposes full-page reproductions of preparatory sketches with annotations, archival source materials, and detailed studies of finished works. Contributions from leading scholars offer nuanced critical perspectives on Báez's significant influence on current artistic production. The Dominican Republic–born artist (b. 1981) mines diasporic visual archives to construct alternative futures, layering figuration, symbolic content, and gestural abstraction across enlarged maps and historical documents. Her compositions emerge as intricate assemblages of folkloric and literary allusions, textile vocabularies, and botanical forms, creating densely layered visual narratives. Firelei Báez at MCA Chicago Nov 15, 2025 - May 31, 2026. Learn more here.
