Go ahead and party like it’s 1981. But bring along more gain, EQ, and clipping options. What if a Rat and a Mudhoney had a baby, and that baby learned new gain structure options, grew a tilt style Voice control, and dabbled in its teen years with germanium clipping? That rebellious kid would be the Cleveland Music Co. Flats Distortion. Controls VOLUME: Sets the overall output level of the pedal. Clockwise for more output; counter-clockwise for less. FILTER: Think of it as a cut control. Clockwise to reduce treble; counter-clockwise to let more treble pass through. GAIN: Adjusts the gain of the pedal. The gain range is greatly affected by the setting of the BOOST | VINTAGE switch. VOICE: Alters the bass content in the gain stage, allowing more low end to pass through as it is adjusted clockwise. This thickens the tone and has the effect of changing the intensity and character of the distortion. To completely remove the VOICE control from the circuit, leave it fully counter-clockwise. This is the recommended starting point as you explore.BOOST | VINTAGE: Toggles between the BOOST and VINTAGE gain structure settings. BOOST is the high-gain, characteristically tight distortion we all know and love. VINTAGE drastically reduces the gain of the pedal and produces more classic rock overdrive tones. With the Ge mode, it almost sounds low-gain muff-like. Si | Ge: Selects between silicon and germanium clipping diodes. Si is the so-called traditional clipping diode in this style pedal. It produces a bright and tight sound. Ge replaces one of the silicon diodes with a germanium diode. This results in a subtle asymmetrical clipping and imparts a warmer, more round tone. It excels in the VINTAGE gain mode, but sounds great any way you use the Flats! True-bypass switching. Top-mounted audio and DC power jacks. No battery snap provided. The pedal is industry-standard 125B in size.
