Product Information Clarett+ 4Pre is the studio-grade audio interface for PC and Mac, designed for music makers who demand the highest quality while recording and mixing their audio creations. CLARETT⁺ MIC PREAMPS Four high-headroom, low-noise, low-distortion Clarett+ mic preamps — featuring All-analogue Air with impedance switching and relay control — capture vocals, drums and acoustic instruments with immense clarity. Two JFET instrument inputs let you plug straight in and preserve the natural tone of your guitar, just like plugging into an amplifier. INDEPENDENT A-D AND D-A CONVERTERS Independent A-D and D-A converters bring creators and collaborators closer than ever to their music, with extremely wide dynamic range and low distortion. Greatly improved D-A dynamic range enables you to hear every detail and have greater control over your mix. Incredibly low A-D converter distortion lets you capture signals with more clarity, for greater transparency and sonic accuracy. Two powerful and true-to-life headphone outputs inspire artists to hear every nuance, customise their foldback mix, and perform their best. ANYTHING, ANYWHERE Clarett+ 4Pre brings collaborators together, with options to record up to 18 input channels simultaneously. Expand via ADAT using the Clarett OctoPre or other outboard hardware. Four analogue outputs and MIDI input and output makes Clarett+ 4Pre the centrepiece of the evolving recording studio. EMULATE ICONIC FOCUSRITE HARDWARE Get the full Focusrite sound with three classic processors from Focusrite’s 40 year legacy of precision studio sound. Brainworx bx_console Focusrite SC is an authentic emulation of the classic ISA 110 module found in Focusrite Studio Console. ISA 110 was created when Sir George Martin asked Rupert Neve for custom modules for AIR Montserrat studios. The Red 2 & Red 3 Plug-in Suite accurately models Focusrite’s classic Red range equaliser and compressor hardware. Coveted by producers and engineers for their exceptional clarity and versatility, the original Red 2 and Red 3 remain prized fixtures in professional recording studios the world over. Now, you can use these revered pieces, easily and flexibly, in your own mixes. Specifications MIC INPUTS Frequency Response 20-20kHz: ± < 0.03dB Frequency Response 20-35kHz: ± < 0.15dB Dynamic Range (min gain): 118dB THD+N (-1dBFS, +20dB gain): -110dB Noise EIN: -129dBu Max input level: 18dBu Gain range: +57dB LINE INPUTS (VARIABLE) Frequency Response 20-20kHz: ± < 0.05dB Frequency Response 20-35kHz: ± < 0.15dB Dynamic Range (min gain): 118dB THD+N (-1dBFS, min gain): -100dB Max input level: 26dBu Gain range: +57dB LINE INPUTS (FIXED) Frequency Response 20-20kHz: ± < 0.05dB Frequency Response 20-35kHz: ± < 0.15dB Dynamic Range: 118dB THD+N (-1dBFS): -100dB Max input level: +18dBu INSTRUMENT INPUTS Frequency Response 20-20kHz: ± < 0.04dB Frequency Response 20-35kHz: ± < 0.15dB Dynamic Range: 116dB THD+N (-1dBFS, min gain): -96.5dB Max input level: 15dBu Gain range: +57dB LINE & MONITOR OUTPUTS Frequency Response 20-20kHz: ± < 0.02dB Frequency Response 20-35kHz: ± < 0.02dB Dynamic Range: 124dB Max Output level: 18dBu THD+N: -106dB HEADPHONE OUTPUTS Frequency Response 20-20kHz:
