A head and throat, tilted back, chin raised — the posture of exposure. The surface carries dense engraved line: fine, continuous hatching that reads as both skin and stone, the body rendered in the register of anatomical draftsmanship. Where the skull should close, it does not. Planes of the face have separated and folded outward, exposing three dark voids — deep teal-black, interior, unlit. The apertures are not wounds. They are structural — openings that the form has always contained, now visible. The engraved lines continue across the edges of each void without interruption, as though the surface knows its own gaps. Below, the torso recedes into darkness that shares its material with the interior voids. The body does not break here. It discloses.