FRECKLED MAX AND THE SPOOKS (PEHAVÝ MAX A STRAŠIDLÁ) – 1987, Slovak Film Institute, 97 min. Dir. Juraj Jakubisko. "It all began under the Frankenstein castle. It was my tenth year with this circus troupe, and we were passing through a bleak territory of vampires, will-o'-the-wisps and water sprites," observes young orphan Max (Martin Hrebeň), just before he runs away and hides out in the ruins of the nearby castle. There he discovers a rogues’ gallery of lonely monsters who’ve made it their home: gruesome but loveable Alojz (Eddie Constantine, Lemmy Caution from Godard’s ALPHAVILLE); the marvelous Ferdinand Mayne (Polanski’s THE FEARLESS VAMPIRE KILLERS) as Count Dracula; a wonderful, whiskey-voiced Viveca Lindfors (THE DAMNED, STARGATE) as the Countess Frankenstein; Gerhardt Karzel as the irresistibly goofy Frankenstein’s Monster named Albert; along with the ghostly white lady Elizabeth Bathory (Mercedes Sampietro) and other assorted phantoms. A bittersweet, slapstick cross between MONSTER SQUAD, YOUNG FRANKENSTEIN and the Island of Misfit Toys, FRECKLED MAX is a nostalgic Gothic fairytale about broken hearts and monsters who long to be loved for who they are – and a truly delightful discovery for genre fans. Acclaimed for his early role as one of the Czechoslovak New Wave directors (THE PRIME OF LIFE) and later films such as THE MILLENNIAL BEE and THE FEATHER FAIRY (starring Fellini’s muse Giulietta Masina), Slovak director Juraj Jakubisko (1938-2023) adapted his miniseries “Frankenstein’s Aunt” into the feature version FRECKLED MAX. Filled with Jakubisko’s trademark surrealism and haunted poetry – including eerie shots of a bat-winged Dracula flying over a mountain lake straight out of NOSFERATU – the film is also a joyous comic treat. What makes FRECKLED MAX so memorable and heart-tugging, though, are the unexpected moments of sadness with the orphaned monsters and their orphaned human friend: "When someone ends up alone, he turns into a ghost," as Count Dracula sighs. Beautifully restored by the Slovak Film Institute for its first-ever Blu-ray release in the U.S. through Deaf Crocodile Films and Comeback Company. In Slovak with English subtitles. Special Features “Film about Film” (Film o filme) - 1986, 5 min., dir. Rudolf Ferko. Fascinating behind-the-scenes look at the making of the miniseries and FRECKLED MAX feature. “Portrait of a Film Director” (Portrét režiséra) - 1989, 42 min., dir. Matej Mináč. Beautiful and moving portrait of Jakubisko, shot during the making of his film SITTING ON A BRANCH I AM FINE and featuring interviews with the legendary Federico Fellini. Three new video interviews: Ján Ďuriš, Director of Photography (27 min.) Petra Galková, Assistant Director (18 min.) Rastislav Steranka, Director of the National Cinematographic Centre of the Slovak Film Institute (17 min.), all directed by Róbert Šulák. All of the above bonus features in Slovak with English subtitles. "Frankenstein's Faster, or Frankenstein's Aunt: the Novel That Became FRECKLED MAX" -- new video essay by journalist and physical media expert Ryan Verrill (The Disc Connected) and film professor Dr. Will Dodson (28 min.) New commentary track by film historian Samm Deighan. New artwork by Beth Morris Blu-ray authoring by David Mackenzie of Fidelity In Motion Deluxe Edition Bonus Content Hard slipcase featuring new illustration by Steve Thomas 60-page illustrated book with essays by: screenwriter, playwright and film journalist Steven Peros film critic and author Walter Chaw
