Gondwana Records is pleased to announce ‘Interlude’, the second album from Estonian-born, London-based composer and pianist Hanakiv.Showcasing an expanded sound, the compositions trace a journey of overcoming the past, unfolding into a seductively unconventional style imbued with hope and a therapeutic quality.Existing in a liminal space between genres, INTERLUDE , the second album from composer, pianist and now singer HANAKIV is as mysterious as it’s seductively unconventional, with piano, often prepared, only one of its elements, both analogue and electronic. First inspired by “those crystallised moments where time almost stands still, pain hasn’t yet fully set in, and happiness is still just a glimpse,” it provides, all the same, “a sense of hope that standing still is part of living.” In its making, HANAKIV has created a space that allows her to address feelings long buried, whether the grief behind the lead single ‘Sunbeams’, where staccato rhythms punctuate murmured vocals; the eerie apparitions obscuring the innocence of ‘Lastele’, originally intended as a lullaby for her nephews; or the poignant torpor behind ‘May Song’s brittle blur of harmony and percussive pizzicatos.INTERLUDE’s range is further intimated by its contributors, including Portico Quartet’s Milo Fitzpatrick, who, as well as playing double bass throughout, co-wrote the refreshed long-term live favourite, ‘Intro’, and the eloquent closer, Stillness’. Also present are saxophonist Pille-Rite Rei, cellist Joanna Gutowska, violinist Gabriel Green, and PIKE on drums, helping capture the instances HANAKIV calls “in- betweens”. Among these are two sunny mornings, years apart, during which the strangely forlorn yet haunting ‘Hommikud’ coalesced.
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