Edited by Katelyn D. Crawford Contributions by Amalia K. Amaki, Katelyn D. Crawford, Rebecca L. Giordano, Shawnya L. Harris, Marin R. Sullivan, Diana Tuite, and Hina M. Zaidi With recollections by Carter B. Cue, Paul A. Gary, Mervin Anthony Green, Noah Jemisin, Brenda Thompson, Larry Thompson, and an excerpt from an unpublished manuscript by Floyd W. Coleman, Sr. A ground-breaking book devoted to the life and work of Hayward Oubre brings together important examples of Oubre’s sculptures, paintings, and prints to explore his career, creative process, and legacy.Best known for his wire sculptures, Hayward L. Oubre, Jr. (1916–2006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works share a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material—wire coat hangers—that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period. While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre’s story is a history of Alabama art shaping American art that has never been written. This new volume, and its accompanying exhibition, will begin to tell this story, laying the foundation for future projects on the work of Black artists in Alabama and the South. Katelyn D. Crawford, PhD, is the William Cary Hulsey Curator of American Art at the Birmingham Museum of Art, AL. Amalia K. Amaki, PhD, is an artist, art historian, educator, film critic and curator. Rebecca L. Giordano is an art historian and curator who specializes in race, gender, and transnational exchange in the Americas in the twentieth century. Shawnya L. Harris, PhD, is the Deputy Director of Curatorial and Academic Affairs and the Larry D. and Brenda A. Thompson Curator of African American and African Diasporic Art at Georgia Museum of Art, GA. Marin R. Sullivan, PhD, is a Chicago-based art historian, curator, educator, and consultant. Diana Tuite, PhD, is the Visiting Senior Curator of Modern and Contemporary Art at the Stanley Museum of Art, University of Iowa. Hina M. Zaidi is the Curatorial Assistant at the Birmingham Museum of Art, AL.Hardback / 176 pages / 132 color illustrations, /9 ½ × 11 in.Published by D Giles Ltd. in association with the Birmingham Museum of Art, Birmingham, Alabama Exhibition October 4, 2024 - February 2, 2025, Birmingham Museum of Art
