The colours available in the FLESH TONE PALETTE range from the palest of pink tones to the deepest rich yellow tones. The system contains skin tone colours with warming/cooling adjusters that are ideal for fine tuning a skin tone mix that's a perfect match, or for creating a subtle bruising for close camera work. RICE PAPER, the staple of the palette, can be used as a white colour to lighten a particular mix, or on its own to match the skin. You can start with Natural 1 & 2 as the basis for most Caucasian skin tones. Lao 1 & 2 will be the basis for your yellow under toned subjects. Starting with these tones you can lighten them with Rice Paper or darken them with Cedar Brown or the darker tones in the Dark Fleshtone Palette. To warm the tones add a little Coral Adjuster, Rose Adjuster II or the warm tones in the Complexion Palette. To cool the tones add a little Olive Adjuster II, Veintone or Cool Tone from the Complexion Palette. Cedar Brown is a warm yellow-based brown that can help create a tan or darken any of the fleshtones. You must use Skin Illustrator Activator or 99% alcohol to activate the colour pigment. Do not use 70% alcohol, MEK, acetone, water or any other solvent. Removal is easy with Isopropyl Myristate Colours: Cedar Brown, Coral Adjuster, Lao 1, Lao 2, Natural 1, Natural 2, Olive Adjuster 2, Rice Paper, Rose Adjuster 2, Vein Tone Dimensions: 18.415 x 8.89 cm
