A black and white botanical study of an iris — the bloom captured in rich charcoal and silvery grey, with the ruffled, layered petals rendered in extraordinary tonal detail. The flower appears almost sculptural against the pure white background, every fold and vein visible, the stem slender and dark. The en noir treatment strips the iris of its usual colour associations and reveals the architecture of the flower itself — the way the petals curl back, the depth between layers. This print belongs in a space that values restraint and detail — a bedroom, ensuite, or formal living room where the monochrome palette creates calm. It pairs naturally with other pieces from the en noir botanical series: Tulip en Noir and Entwined Poppy en Noir make a considered trio when hung together, each flower bringing a different silhouette while the shared black-and-white treatment holds them as a collection. Against white walls with black fixtures and natural timber, this reads as modern and gallery-worthy. Against a deep charcoal feature wall, it becomes luminous. Black frame for graphic cohesion; white frame for softer contrast. Printed in Australia using archival giclée technology on FSC-certified 230gsm fine art paper — matte and fade-resistant. Available framed in solid FSC-certified timber in Black, White or Oak finish, with crystal-clear acrylic glazing that is UV-safe and shatter-resistant, or unframed as a standalone print ready for your own framing. White border option available — an unprinted margin for a clean, museum-inspired presentation. Sizes from A5 to 120x150cm. Every artwork is made to order. Framed art arrives ready to hang with secure hardware pre-installed.
