Full size two piece amber brown spruce top with reddish undertones. Maple ribs, two-piece figured maple back, with purfling inlay on either side. Ebony fingerboard, rosewood pegs, rosewood tailpiece with fine tuner, and chin rest. The premier maker of the Austro-German school, Jacob Stainer may have been a student of Nicolò Amati in Cremona, though historical records are not complete enough to substantiate that assumption. His work, the earliest of which dates from the 1630s, bears strong similarities to Amati's. Stainer eventually settled in his birthplace of Absam in 1656, where he began to produce some of his finest instruments, which appear to be inspired by Amati's Grand Pattern. Stainer's legacy was paramount in the early- to mid-18th Century Venetian and Florentine schools, but also widespread in England, Germany, and in his native country of Austria. In fact, Stainer models were held in the highest esteem before the influence of Stradivari became foremost later in the 18th Century.
