6b Alexandre Dumas. Paris: Michel Lévy Frères, 1850. French Language Edition. 6 Volumes. Notes Set against the turbulent backdrop of post-Napoleonic France, The Count of Monte Cristo is a masterful tale of injustice, patience, and absolute retribution. The story begins on the eve of Edmond Dantès's wedding and his promotion to ship captain, when a group of envious rivals conspires to falsely accuse him of treason. Dantès is arrested and cast into the dreaded island fortress of the Château d'If, where he suffers in solitary confinement for fourteen years. He eventually befriends a fellow prisoner, the wise Abbé Faria, who educates him and reveals the location of a vast fortune hidden on the Mediterranean island of Monte Cristo. Following a daring escape, Dantès secures the treasure, adopts the enigmatic persona of the Count of Monte Cristo, and systematically dismantles the lives of those who betrayed him, ultimately realizing the high emotional and moral cost of playing God. Alexandre Dumas was a legendary figure in 19th-century French literature, whose own larger-than-life personality and background deeply infused his work. Dumas, who spent roughly eighteen months writing and serializing the novel between 1844 and 1846 alongside his collaborator Auguste Maquet, was heavily influenced by real cases and family tragedies. He held a deep interest in the memoirs of French police archivist Jacques Peuchet, specifically the real-life 1807 case of François Picaud, a shoemaker wrongfully imprisoned who later exacted a lethal vendetta on his betrayers. Furthermore, the character of Dantès was directly inspired by the status and struggles of Dumas's own father, Thomas-Alexandre Dumas—France’s first Black general who was born into slavery, rose to immense military heights, and was ultimately betrayed and left to rot in an Italian prison without the support of the French government. The 1850 Michel Lévy Frères edition represents one of the earliest and most significant French book-form releases following the novel's initial 1844–1846 serialization. Published as a six-volume set by one of Europe's foremost houses—Michel Lévy Frères, which later became Calmann-Lévy—this printing is highly esteemed for its elegant, period-appropriate presentation. While the true first edition from 1846 is of extreme rarity, this 1850 release especially precious. This specific edition solidified the novel’s transition from a temporary newspaper sensation to a permanent, authoritative fixture of world literature. Description Half-vellum over marbled boards. Red and black Morocco spine labels on each volume with gilt lettering and ornamentation. Each volume has a sewn in red and blue book mark. Boards are scuffed with edgewear to extremities. Foxing through your the textblocks. All bindings are solid and secure. Very good condition.
